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...idea what wushu was, which isn't surprising. At that time, wushu was only 13 years old. It was a committee-ordained synthesis of the various age-old Chinese combat forms (wushu literally means "martial arts"), intended to create a new codified sport. Emphasis was placed on the solo execution of martial stances and routines, and the system of point-scoring rewarded purity of form. In effect, it was a Chinese form of gymnastics, and Chinese officialdom was rather proud of it, making it an integral part of the country's cultural-exchange program. It reached thousands of foreign spectators...

Author: /time Magazine | Title: The Liberation of Jet Li | 11/27/2008 | See Source »

...John Michael Hayes, 89, was a prolific screenwriter who worked with Alfred Hitchcock on films such as Rear Window and To Catch a Thief. After a dispute over payment and writing credit ended their partnership, Hayes went on to solo projects such as Peyton's Place...

Author: /time Magazine | Title: Milestones | 11/26/2008 | See Source »

...Brahms variations, which form a series of brief musical sketches, were performed with much character, and the orchestra easily shifted from the lovely dance-like themes in the first variation to the quiet, minor lyricism of the fifth. The dialogue between the solo voices of the orchestra was especially well articulated, as the two-note slurs and other musical motives were seamlessly passed among the different instrument sections...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Impresses Despite Setbacks | 11/24/2008 | See Source »

...Harrell coaxed a fluid stream of airy sound from his cello, creating an ethereal effect that was complemented by the orchestra’s ability to carry the melodic themes through the sections between solo entrances. His never-ending lines brought the Romantic work together with an aching melancholy, echoed in the ringing pizzicato of the heart-wrenching harmonies...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Impresses Despite Setbacks | 11/24/2008 | See Source »

...manic hodge-podge of songs. The noise heavy, Black Keys-esque opening track, “Nothing Too Much Just Out of Sight,” suddenly jumps to the much folksier “Two Magpies,” reminiscent of McCartney’s solo career. The tone somehow shifts in the last three tracks to feature the more electro-ambient vibe for which The Fireman was originally “known.” Banjo and harmonica make random appearances, as do drum machines, hushed whispers, flutes, violins, and far too many...

Author: By Erika P. Pierson, CONTRIBUTING WRITER | Title: The Fireman | 11/21/2008 | See Source »

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