Word: soloings
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...After a late night at Redline, Monica P. Hansen ’04 invited herself over to the Quincy single of fellow government concentrator Jimmy A. Friedkin ’04. Reasoning that a 2 a.m. solo visit from a member of the opposite sex was most likely booty-related, Friedkin was not pleased when Hansen announced that she had come to decorate his room. After 45 minutes of awkward room-decoration banter, Friedkin made his move. “After she moved my floor lamp across the room I told her there was one other long pole...
...Girl With a Green Curtain,” part of a thesis research project by Susan E. Bell ’03. The wide and deliberate strokes in bold colors and the familiar subject matter—a friend taking a gulp from a blue Solo plastic cup—give the work a beautiful liveliness such that the viewer expects the girl to, at any moment, put the cup down and walk out of the painting to the next party. Perhaps the “psychological insight” that Bell feels for the friends she paints adds...
...introspective “My Sins” to the teasingly jazzy intro of “Before You Met Me.” Bell and Palmer’s guitar work is unaffected and terse, neither giving in to indie-style chord pounding nor dissolving into noodling solos. That said, album-opener “Green Eyes” boasts a yearning solo that might make the Edge proud. Matthew J. Kamen ’03 provides lithe basslines that mostly remain tied to the bass drum of Travis M. Beamish ’04, delivering a potent kick...
Tomorrow night, Harvard bodies will twist, swirl and contort to the incendiary notes of techno beats and the virtuoso stylings of a solo bassist. And people will pack the Loeb-Ex Theater to see them. The 700 free tickets to the dance show Ex-rated were given out in days, and the wildly successful production showcases Harvard’s outstanding dance community. Harvard has an astounding 18 different student dance groups. Six hundred people each semester dance in the Office for the Arts (OFA) Dance Program. Harvard choreographers have competed masterfully in national competitions, and the dance programs rival...
...bitch--and then break into song. Francois Ozon's color-coordinated catfight assembles eight fabulous femmes (Catherine Deneuve, Ludivine Sagnier, Virginie Ledoyen, Danielle Darrieux, Isabelle Huppert, Firmine Richard, Emmanuelle Beart and Fanny Ardant) for a game of hide-and-shriek, with each star given a guilty secret and a solo chanson. Ozon, the bright hope of French pop cinema (Water Drops on Burning Rocks, Under the Sand), lets the gals get a bit too chatty and catty. But he knows how to dress them in glamorous frocks and attitudes. Seduction is more important than deduction in this chic display...