Word: soloings
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...lose interest," she says. "The studio can be confining. I need to be challenged." RCA executive Ron Fair says the label will "not shackle" Aguilera and envisions TV and even Broadway for her too. "She's our Streisand," says Fair. This week she'll perform with solo piano at Lilith Fair, a reflection of the label's confidence in her as a true singer and not just a studio act. From now on, Aguilera is more likely to be signing autographs than asking for them. And if Fred Durst happens by, he'll just have...
...voice, as it has been for some years, was like a ragged flag blowin' in the wind, but his spirit was strong, and his guitar playing commanding. Simon accompanied him for a few duets, including a bulked-up The Sound of Silence. But by the time Simon began his solo set, it was all anticlimax. He put on a fair performance, but he was in the presence of an eclipsing talent. Now Simon must know how Art Garfunkel felt all those years...
...concert began with a solo set by Dylan's more melodiously-voiced counterpart, Paul Simon. On the whole, Simon's live performance did not live up to his recording reputation. His style, which seems to border on world-music kitsch, was very treble emphasized and percussion heavy, assuming an almost flippant, less weighty framework. Beginning his set with many of his earlier works, especially many he originally recorded with Garfunkel, his renditions of "Mrs. Robinson" and "Bridge over Troubled Waters" were unconvincing testimonies of his solo career. But the latter-day Simon finally came out during less-instrumental tinged moments...
...plucked off a Havana street by California guitarist Ry Cooder, who invited him to sing on a new album he was producing, Buena Vista Social Club. That record became a surprise hit in America, in no small part because of Ferrer's expert work, and led to this, his solo debut. "The Cuban Nat King Cole," as Cooder calls him, now savors a sweet, unexpected stardom. Says he: "I've been able to fix up my house a little." Ferrer is 72, and his voice lacks the strength it once had, but its power is undiminished. "I don't want...
...concert began with a solo set by Dylan's more melodiously-voiced counterpart, Paul Simon. On the whole, Simon's live performance did not live up to his recording reputation. His style which seems to border on world-music kitsch, was very treble emphasized and percussion heavy, assuming an almost flippant, less weighty framework. Beginning his set with many of his earlier works, especially many he originally recorded with Art Garfunkel, his renditions of "Mrs. Robinson" and "Bridge over Troubled Waters" were unconvincing testimonies of his solo career. But the latter-day Simon finally came out during less-instrumental tinged...