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...group, created by Choreographer Igor Moiseyev, 52, onetime soloist and ballet master at the Bolshoi, is only partially concerned with true folk dancing. In the company's history of 160 works are a generous sprinkling of what Moiseyev calls "popular ballets"-works that express contemporary themes in the casual movements of everyday life, a fusion reminiscent of the effect U.S. Choreographer Jerome Robbins achieves in such works as Fancy Free. Even in the straight folk dances Choreographer Moiseyev prunes and shapes his material to gain dramatic continuity and a clearly defined dance line. Says he: "We do not merely...

Author: /time Magazine | Title: Music: SOVIET POP BALLET | 4/14/1958 | See Source »

...tribal dance the occasion was a regular concert of the National Symphony Orchestra in Washington. The piece, entitled Concerto for Five Kettledrums and Orchestra, was an answer to a tympanist's dream: being liberated from his exile at the rear of the orchestra and placed out front as soloist...

Author: /time Magazine | Title: Music: Concerto for Skins | 4/7/1958 | See Source »

...belly dance and a Greek striptease, at gladiatorial combat in the arena. In his experimental dance technology, Moiseyev brilliantly scrapped most of the cliché-laden movements and figures of Russian classical ballet, while retaining classical techniques of body control. Moreover, Moiseyev did away with the traditional counterpoint between soloist and corps de ballet, made mass dancing the ballet's main feature ("My hero," says Moiseyev, "is the masses...

Author: /time Magazine | Title: Music: New Line at the Bolshoi | 3/24/1958 | See Source »

...week's production (including Julia May Scott, daughter of an American Negro and a Russian mother) were unknown to the West. They were drawn from the corps de ballet on the theory that they would be less hidebound by classical technique than the older dancers (an exception: famed Soloist Maya Plisetskaya, dancing the courtesan Aegina). Lavishly supported by the government, the Bolshoi currently has some 250 regular dancers and mimes, including what is probably the most brilliant collection of soloists in the world...

Author: /time Magazine | Title: Music: New Line at the Bolshoi | 3/24/1958 | See Source »

...Spanish Composer Joaquin Rodrigo's Fantasia para Gentilhombre, performed by the San Francisco Symphony under Spanish Conductor Enrique Jordá, with famed Spanish Guitarist Andrés Segovia as soloist. Said blind Joaquin Rodrigo, 55, Spain's No. 1 contemporary composer: "I was afraid to compose a work for so great a guitarist." Replied Segovia: "I was afraid to perform it." After the low Spanish bows were over, soloist and orchestra set to work, unveiled an appealing, fastidious, slightly melancholy piece whose dance rhythms gave Segovia's guitar a chance to enthrall the audience...

Author: /time Magazine | Title: Music: Premieres | 3/17/1958 | See Source »

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