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...Angeles Philharmonic, conducted by Alfred Wallenstein, also tried some electronic tricks. Its featured soloist was a black box-an Ampex tape recorder. The work, called Poem of Cycles and Bells, was composed by Manhattan Tape-sichordists Vladimir Ussachevsky and Otto Luening (TIME, Nov. 10, 1952). Described as "music trapped from beyond the range of the human ear," the solo part consisted of ordinary flute, piano and vocal sounds, recorded and then sometimes distorted beyond recognition by various mechanical and electronic means. The composition got notice as far away as Baltimore, where the Sun protested: "Down with Space Music . . . Give...

Author: /time Magazine | Title: Music: Symphonic Novelties | 11/29/1954 | See Source »

Inclusion of a solo cantata in Sunday's program provided excellent contrast to the choral sound. Above all, Rameau's Le Berger Fidele requires style to sustain the text's nonsense. Fortunately the soloist was Jean Lunn, whose lovely voice is not yet tired from a heavy concert schedule. Her phrasing, diction, and impeccable vocal ornamentation placed the cantata's fluffiness in a proper musical perspective...

Author: By Robert M. Simon, | Title: Bach Society Chorus | 11/23/1954 | See Source »

...Grosso. In the Bach the exotic coloring of the woodwind passages, marvelously executed by the section, overshadowed such outstanding lacks as the weakness of the bass line (in which, besides, the usual keyboard continue was lacking) and the technically inept handling of the violin obbligato by a mercifully unnamed soloist...

Author: By Alexander Gelley, | Title: The Bach Society Orchestra | 11/9/1954 | See Source »

Then violin soloist Albert Lind '29 executed Massenet's "Meditation from "Thais'" so well that he was forced to return for another number...

Author: NO WRITER ATTRIBUTED | Title: '29 Whoops It Up at Boston Pops, Will Visit Essex County Club Today | 6/15/1954 | See Source »

Freshman John Perkins was piano soloist in his own Seven Experimental Preludes. It is hard to judge what he was experimenting with, since so much follows tried-and-true devices of harmony and rhythm. Yet despite the occasional cliches, Perkins' music has conciseness and proportion that looks forward to future achievement...

Author: By Robert M. Simon, | Title: Harvard Composers | 5/21/1954 | See Source »

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