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Word: soloiste (lookup in dictionary) (lookup stats)
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...mind's ear, and it is no great feat for professionals to be able to "hear" a musical score simply by reading it. But a deaf performer? To hit all the right notes, to play in an ensemble or in front of an orchestra as the featured soloist? Surely this requires the ability not only to hear, but to hear, as well, with a musician's acuity -- doesn...

Author: /time Magazine | Title: MUSIC: A Different Drummer | 3/21/1994 | See Source »

...Soloist plays a melancholy theme...

Author: /time Magazine | Title: Magazine Contents Page | 1/24/1994 | See Source »

...warm up to a character at once high strung and low key? It takes patience, a virtue that Mark Salzman demonstrated in Iron and Silk, a 1986 account of the author's experiences in China. Now Salzman brings East and West together in The Soloist (Random House; 184 pages; $19), a novel that counterpoints Occidental self-consciousness against Oriental ego transcendence. The dissonance is played out at a murder trial where Reinhart is a juror. There is no doubt that the young man in the dock has killed his Zen instructor. He says he beat him to death after hearing...

Author: /time Magazine | Title: Lost Chords | 1/24/1994 | See Source »

Redman's fluency as a soloist is drawing comparisons to the young Sonny Rollins. Premature, of course, but it's been a long time since jazz produced a saxophonist with Redman's fearless improvisational skill and mature melodic sense. At 24, Redman already has plenty of name recognition. His father, Dewey Redman, made a reputation in the late 1960s as a saxophonist playing alongside Ornette Coleman. "But he wasn't a direct teacher or mentor," says Joshua, who, remarkably, taught himself by playing along with old records while growing up in Berkeley, California. Dewey moved to New York City before...

Author: /time Magazine | Title: Joshua Redman: Young Gun | 11/22/1993 | See Source »

...walking tempo that gathered speed and supported a whimsical clarinet solo inevitably finished in an abrupt minor cadence to start the fourth movement. (This is Bartok, after all.) Throughout the third and fourth movements, Mehta conducted from soloist to soloist in the winds and brass. He often adjusted the meter of his baton strokes to fit the parts that became a continuous string--a real concerto for an orchestra...

Author: By Daniel Altman, | Title: Perlman and Zukerman Mesmerize in the Shed | 8/20/1993 | See Source »

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