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...century by Italian Composer Giuseppe Martucci, chips off the old Puccinian block, got glowing, almost impressionistic ; readings. By contrast, Richard Wernick's new Violin Concerto had a hard, steely edge. Although the work proved to be much strenuous ado about nothing, it was energetically performed by the Philadelphians and Soloist Gregory Fulkerson. Finally, Dvorak's undeservedly neglected Fifth Symphony received a taut performance that, among other virtues, was notable for the breathtaking precision of the strings. Two days later in Philadelphia, Muti took an Apollonian view of Berlioz's sprawling "dramatic symphony," Romeo et Juliette, featuring Soprano Jessye Norman...

Author: /time Magazine | Title: Music: A Transformation in Philadelphia | 2/3/1986 | See Source »

Theater began with one actor in a mask playing all the parts, relying on his imagination and the audience's. The modern one-person show blends that ancient Greek bravado with the calculated emotional exposure of the stand-up comic. The soloist, unmasked, tells the audience what is about to take place, shaping its reactions, soliciting its affection and implying that the customers are helping create the event rather than passively watching it. In this atmosphere, when the audience applauds some line of dialogue, it is hailing its own perspicacity as well as the actor's. The weakness of Lily...

Author: /time Magazine | Title: Theater: Let a Hundred Lilys Bloom the Search for Signs of Intelligent | 10/7/1985 | See Source »

They were not the only ones, says the prospective music concentrator, who now definitively states that he wants to be a cello soloist, and then a composer and or conductor Tsang adds. "I guess it sounds pretty snide, but I am only going to go into professional music it I am the best." And since Isang says that only three or four people can be the best in the cellist world, this may be difficult...

Author: By Shari Rudavsky, | Title: Tsang: The Carnegie Cellist | 4/6/1985 | See Source »

...Cuba at the time of the 1962 missile crisis, Buckley, the archetypal conservative, presents a Che Guevara who turns out to be a humane and tragic figure; even Fidel Castro, between bouts of egomania, is a | fully developed antagonist. The least satisfactory character, curiously, is Blackford Oakes, a CIA soloist whose IQ seems to be only a couple of digits higher than James Bond...

Author: /time Magazine | Title: Books: Fly on the Wall See You Later Alligator by William F. Buckley Jr. | 2/4/1985 | See Source »

...Ashley reached the perihelion when Balanchine choreographed the first of two ballets for her, Ballo della Regina. She recalls that the steps were "like loose change in his pocket." Robert Maiorano's book, written with Valerie Brooks, is an attempt to organize and explain those fabulous coins. A former soloist at City Ballet, Maiorano watched Mozartiana (1981), the choreographer's last substantial work, take shape in the rehearsal studio. As an effort to analyze creation, the book is not really successful. Maiorano cannot bring steps to life in words; nor are there photo sequences, such as the ones in Ashley...

Author: /time Magazine | Title: Books: Balanchiniana Dancing for Balanchine | 1/14/1985 | See Source »

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