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...Bach Society Orchestra is, in my view, about the most reliably good music group on campus. Its programming is excellent and its performing solid. Bach Soc does not disappoint this year, either. Roy Kogan, a fine soloist who excelled last season, plays Schumann's Piano Concerto in October, Jennie Shames appears in the Mendelssohn Violin Concerto, and the rest of the year includes Britten, Mahler, Chausson and some workhorse Beethoven. Bach doesn't figure in much, but that's the paradox of this orchestra -- it's supposed to play the Brandenburgs, but instead bombards you with great nineteenth and twentieth...

Author: By Richard Kreindler, | Title: On Pitch: A Patchwork Preview | 9/28/1978 | See Source »

...Mostly Mozart success-Stoltzman will appear four more times in the popular summer festival-is by now standard. Last year, he won a $2,500 Avery Fisher prize, awarded by Lincoln Center to "exceptionally talented younger instrumentalists." He has performed as guest soloist with many major chamber groups. He has released two solo albums; the latest, The Art of Richard Stoltzman (Desmar), is a marvelous collection of 19th century French clarinet pieces. He will make his debut with the New York Philharmonic next year. Says Violinist Isaac Stern: "Rarely have I heard such a virtuoso use of the clarinet...

Author: /time Magazine | Title: Music: A Young Virtuoso Goes Solo | 8/14/1978 | See Source »

Indeed it does. Offers are pouring in for Oliveira to perform with symphonies across the U.S. He can now command $3,000-$1,000 more than his precompetition rate. As for Rosen, he may be able to support himself as a soloist. Says he: "It is much more difficult for a cellist to have a soloist career than it is for a pianist or a violinist. It would be a fantastic achievement if I could do even a small thing to advance the cause of cellists...

Author: /time Magazine | Title: Music: Strings of Gold | 7/17/1978 | See Source »

Leslie Browne, 20. Soloist, American Ballet Theater. More people have watched the auburn-haired Browne perform in The Turning Point than may ever see her in person. Her lucky casting in the film as an aspiring ballerina who rises to partnership with Baryshnikov not only made her a celebrity but also prompted her to take acting and singing lessons-though only for a while. She is not interested in an acting career and has refused several film offers. Dance remains her passion: "I love the physicality of it all." Like Emilia in The Turning Point, she is the daughter...

Author: /time Magazine | Title: Dance: Others at the Turning Point | 5/1/1978 | See Source »

George de la Pena, 22. Soloist, American Ballet Theater. The slight (5 ft. 9 in., 140 lbs.) De la Pena's long suit is a powerful sense of theater. At A.B.T. he has danced such roles as the Bluebird in Sleeping Beauty, a sailor in Fancy Free and the Nutcracker prince. A high point came last year when he played the old dollmaker in Coppélia. A curtain-time substitute, he gave a dark, almost mystical performance that New York balletomanes still prize...

Author: /time Magazine | Title: Dance: Others at the Turning Point | 5/1/1978 | See Source »

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