Search Details

Word: soloiste (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Selon Pli-meaning "fold along the fold"-is based on three poems by Mallarme and was begun in the late 1950s. With piano, guitar and mandolin, it also enlists a soprano soloist and a full orchestra, runs 60 minutes, and is easily Boulez's most ambitious composition to date, outstripping even his 1955 Le Marteait sans Maitre. Severely serial, the work begins with a crash and a delicate wash of impressionism, a mixture of Debussy and Webern. Much of it glitters with the percussive polka-dotting of pointillism; all of it is abstract, moving in tiers of timbres, skeletal...

Author: /time Magazine | Title: Music: Fold and Rap | 2/22/1971 | See Source »

Boston has never been fertile territory for clarinetists. The clarinet situation in the Boston Symphony was an open scandal for many years, until Harold Wright took the first chair this year. Wright established himself as a fine soloist with his performance of the clarinet part in Piston's Second Symphony with the BSO earlier this year. In the Mozart A Major Clarinet Concerto, K. 622, last Sunday night, he demonstrated his exceptional talent quite well. There were a few problems with the performance, however. Wright had some slight mechanical problem with his instrument from the second movement on, which forced...

Author: By Michael Ryan, | Title: Music The Philharmonia at Sanders, Sunday | 11/24/1970 | See Source »

...competitor to the Boston Symphony, or as any threat to its existence. While the BSO has had changeable fortunes in recent years, it still maintains its predominant position, Relations between the two orchestras are good; it was the Philharmonia which introduced Michael Tilson Thomas to Boston, and the soloist in next Sunday's Mozart concerto will be the new BSO first clarinet, Harold Wright...

Author: By Michael Ryan, | Title: The Boston Philharmonia Is Alive and Well | 11/17/1970 | See Source »

HAVING rehabilitated the Halle, Barbirolli set himself higher tasks. He rejuvenated the Salzburg Festival, which had lapsed during the war, and there he conducted the newly discovered Mozart Oboe Concerto, with his wife, Evelyn, as soloist. His career flourished as he was invited to serve as guest conductor of one of the finest orchestras on the continent, and in the United States he accepted the post of conductor of the Houston Symphony, in addition to his duties at Halle...

Author: By Michael Ryan, | Title: Barbirolli and Szell Masters of a Changing Art | 9/21/1970 | See Source »

...Toscanini in the New York post, Szell was, in a very real sense, his spiritual successor. Toscanini and Szell were cut from the same cloth: men of precision who held tight rein over their orchestras and insisted on perfection in their performers. Like Barbirolli, Szell was a distinguished soloist in his own right. To a far greater degree than Barbirolli, he pursued his career as an instrumentalist all his life, and at his death was a fine concert pianist...

Author: By Michael Ryan, | Title: Barbirolli and Szell Masters of a Changing Art | 9/21/1970 | See Source »

Previous | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | Next