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...Strauss and is permeated with his incomparable horn writing, but the material is for the most part as boring as a bog. Strauss' penchant for opaque writing, as if he feels guilty when someone isn't playing, only redoubles the wearisomeness of the piece. In passing, while the oboe soloist played well, he was irritatingly clamorous...

Author: By Chris Rochester, | Title: Wind Ensemble | 12/19/1968 | See Source »

...Britten's Hymn to St. Cecilia, and Dello Joio's To St. Cecilia, were surpassingly unremarkable. The only marginally interesting section of the Britten piece, which uses a problemmatical Auden text, was a Queen Mab Scherzo passage affording relief from the "flickering flames" of "Blonde Aphrodite." The unidentified soprano soloist thrilled us with another seismic performance whose beauty might be compared to an autumnal wheat field methodically bending to the breeze. Mr. Dello Joio, whose star has been rising ever since his epochal Air Power brought home the Caligulan glory of the air force to the musically thirsty, seems...

Author: By Chris Rotchester, | Title: Zarathustra | 11/25/1968 | See Source »

...SOLOIST James Oliver Buswell played with general indifference to the work's marvelous structural and tonal subleties. He inexcusably tuned sharp and played with a monochromatic tone which, while rather beautiful, was at odds with the coloristic shading of the piece. Instead of varying from lustrous to astringent, from cantabile to martellato, Mr. Buswell overexercised most of the themes with an unvarying weightiness. One notable exception was the elegiac close of the slow movement. Mr. Buswell played with proper aggressiveness in the Magyar uprisings and heroic cadential moments, but has yet to attain a master violinist's inevitable subtlety...

Author: By Chris Rochester, | Title: HRO | 11/12/1968 | See Source »

...Both soloist and conductor Yannatos inadequately articulated the Bartokian transitions between tempo energico and tempo rubato. This was especially noticeable in the last movement, which as a result sounded perfunctory and rather episodic. The orchestra's strings and winds usually produced an opaque sound lacking inner luster, but the brass sonorously performed those resplendent tutti passages which hint of the later Concerto for Orchestra...

Author: By Chris Rochester, | Title: HRO | 11/12/1968 | See Source »

Harvard Glee Club Soloist; Harvard Chorus Soloist; PBH: Challenge, Columbia Point; Leverett House Opera Society; President Leverett House Music Society; Harvard Music Club; Harvard Dramatic Club; Hasty Pudding; Harvard Krokodiloes...

Author: NO WRITER ATTRIBUTED | Title: 1969 Class Marshal Candidates | 11/7/1968 | See Source »

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