Word: soloistic
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Dates: during 1960-1969
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...Mirror of Tone. The concert-one trio each by Beethoven, Brahms and Schubert-displayed both the sweep of each man's virtuosity as a soloist and the perfect rapport the three share when playing together. Istomin hulked mightily over the keyboard to delve deep into the music with the sensitive phrasing that distinguishes his playing. Stern and Rose were so perfectly matched that Rose's 1662 Amati cello seemed at times the baritone voice of Stern's Guarnerius violin. In passages in which phrases are repeated alternately be tween them, each provides a mirror of the other...
Keep It Gala. It took nearly six years of prodding by Stern before all three mustered the time and determination to get together; each has a highly prosperous career as a soloist, and abandoning private schedules is costly. Now that the three are committed to each other, they plan to spare a month or so each year for work as a trio, making plans far in advance, insisting on ideal halls for chamber music, hand-picking the piano. "We want to keep it gala," says Istomin...
...through understanding of the music. Only occasionally did exaggerated rubato obscure a cadence or mar an elision. Her musicianship showed through especially in the pedalling of the second movement and throughout the cadenza of the first. The orchestra, despite an irresistable tendency to rush, supported her quite well. The soloist herself took command when the Adagio turned into an Andante in restoring the original tempo...
...extremely predictable music hardly demands enough of the soloist for virtuoso display. Flaksman won the concerto auditions playing the Saint-Saens concerto, which is at least pretty, flashy, and, according to cellists, a good piece of cello writing. Why diddle around with warmed-over Vivaldi...
Many of the dancers quite seriously believe that leaving Balanchine's company would be as disastrously stupid as skipping Mozart's piano classes in Vienna, and every dancer states the same ambition: "First to be in the corps, then a soloist, then a principal." The resuit of such spirit is a company amazingly deep in great dancers; the merest member of the corps, Balanchine insists, could have been a prima ballerina in imperial Russia...