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...accompanists, Mr. Lazar and the Bach Society were perhaps even more impressive. Throughout the performance of Mozart's Clarinet Concerto in A, the orchestra distinguished itself for its bright string tone, its fluid phrasing and the rapport it enjoyed with the soloist, Andrew Schenck '62. Mr. Schenck, who obviously has complete control of the clarinet, achieved a beautiful, rich tone while effortlessly hurdling the technical obstacles which pepper the piece...

Author: By Ian Straspogel, | Title: Bach Society Orchestra | 10/24/1960 | See Source »

...Hindemith's performance on the vielle, it was as masterly as might be expected from a man who can play every instrument in the orchestra and who was once considered one of the world's leading viola virtuosos (as a soloist and a member of the Amar-Hindemith Quartet...

Author: /time Magazine | Title: Music: The Compleat Musician | 10/17/1960 | See Source »

...Band will hold a contest next week to find a piano soloist to perform Gershwin's "Rhapsody in Blue" at the group's final performance, Aug. 10. Tryouts will be held at 7 p.m. July 26 in the Upper Common Room of the Union...

Author: NO WRITER ATTRIBUTED | Title: Band Plans Friday Pops Concert, Will Hold Piano Soloist Competition | 7/21/1960 | See Source »

When he steps from the podium next season after leading the Seattle Symphony in the premiere of a piano concerto by Leon Kirchner, Conductor Milton Katims will stop at' the Orpheum movie theater. There, before an audience of symphony patrons, he will engage the soloist of the evening, Pianist Leon Fleisher, in a three-game pingpong match. Katims may lose, for Fleisher has a widely feared forehand slam, but he expects to collect about $10,000 from spectators for the symphony's sustaining fund...

Author: /time Magazine | Title: Music: Hard Sell in Seattle | 5/23/1960 | See Source »

...both conductor and soloist, the performance was an act of devotion. Hungarian-born Fritz Reiner studied under Bartok at the Academy of Music in Budapest. Early in his career, Reiner started championing Bartok's works. "We were both from the same stable," he says, and adds in a rare burst of humility: "Of course, he was the great Bela Bartok, and I was only the little Fritz Reiner...

Author: /time Magazine | Title: Music: Barlok's Stepchild | 3/7/1960 | See Source »

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