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...Bank-Boston Celebrity Series concert. Leila Josefowicz, a violinist who has survived being branded a child prodigy, performed in two concertos. Andreas Haefliger, a Mozart specialist, was the pianist in another. Jaime Laredo, darling of countless Sony recording projects, conducted the Brandenburg Ensemble and joined Josefowicz as a soloist. All the repertoire was light and bright and ideally suited to the orchestra...

Author: By Matthew A. Carter, | Title: Talented Ensemble Makes for Good, Clean Fun | 2/27/1997 | See Source »

...flat piano concerto, K. 271, is Mozart's best such early work. It shows a surprising willingness to disturb the conventionally perfect balance between soloist and orchestra and is driven mostly by the pianist, who must have great endurance. Haefliger, who played with an accompanist's ear when necessary, gracefully allowed Laredo to rescue the concerto from merely unilateral appeal...

Author: By Matthew A. Carter, | Title: Talented Ensemble Makes for Good, Clean Fun | 2/27/1997 | See Source »

...seemed to shout rather than sing--at times reminiscent of Eddie Vedder--he gave a thoughtful and well-acted performance. Corona had a lovely mid-range vibrato, along with some excellent breath control in tricky solos. However, Benaim, a splendid baritone who made another Dunster appearance as a soloist in the December "Messiah," stole the show with his gorgeous interpretation of the sinister machinations of four separate villains. He hammed it up, all the while supporting a richly textured, well-trained voice...

Author: By Elisabetta A. Coletti, | Title: Dunster House Opera Spins Rousing 'Tales' | 2/20/1997 | See Source »

Conductor and soloist were once again equal partners in Webern's version of "Ihr Bild." The orchestra played movingly and, for the great climax, Baer puffed out his cheeks, stuck out his neck and sounded totally despondent as he attacked the last two lines: translated from the German, "And ah, I cannot believe/That I have lost...

Author: By Matthew A. Carter, | Title: Cleveland Orchestra Makes Triumphant Visit | 2/6/1997 | See Source »

Commanding the stage in a barbershop quartet-style outfit, Boston soloist Christopheren Nomura accepted the challenge to make a few more female hearts go pitter-pat. However, Nomura simply could not consistently execute the intense and virile baritone sound required by these haunting and often histrionic ballads. Famous for his smashing successes on the interntional vocal scene, the young singer has been praised for his smooth, "lean" sound. Perhaps such high expectations made Sunday's performance a tad disappointing. It seemed as if Nomura were holding back, afraid to overpower the audience with the full weight and resonance...

Author: By Elisabetta A. Coletti, | Title: Nomura Tries Singing (Schubert) in the Rain at the MFA | 10/31/1996 | See Source »

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