Word: soloistic
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...small room in the basement of Adams House. The 12 students who attended—chosen by audition from a pool of 30 candidates—sat listening to their peers’ performances while casually taking notes of their own on notebooks and laptop computers. Iconis accompanied each soloist on the keyboard. Students, eager to experiment with Iconis’s music, were encouraged to bring their own interpretations to his pieces. Occasionally, Iconis stopped to give suggestions or to push for further experimentation. “My favorite thing is to be able to actually work with people...
...effects of Reinert’s beautifully clear, determined voice—and through a costume change involving a blonde wig.Both Morris and Reinert were directed well by Powell to use expressions and gestures which never let the audience forget that they were playing nonhuman beings. The two soprano soloists, Julia S. Cavallaro ’08 and Paula Downes, also succeeded in this effort, matching the loveliness of their white and blue tunics with mesmerizing, flowing movements. Unfortunately, the dancers who appeared in one scene to distract Arthur from his search were not similarly choreographed to lend a more...
...arts without being talky,” said Annemarie E. Munn ’08, one of the Women’s Center interns in charge of organizing the event. To that effect, in between the performances by Harvard bands After Hours and The Sinister Turns and soloist Catherine D. Tuttle ’09, organizers asked the audience trivia questions about famous female musicians. Sandra L. Ullman ’07, the program administrator at the center, said that the organization conceived of the event last spring, and decided to solicit campus acts led by women. She added that...
...piece, “The Council,” was one of the most successful numbers of the evening. Choreographed by Nathan Andary of Andary Dance, the piece opened with the stunning image of a solitary dancer in the spotlight. The main focus was on the interaction between the soloist, Jun Lee, and the rest of the dancers who formed the “council...
...seat for the festival's Rostropovich Memorial Concert, I thought how sad it was that death had succeeded even where the Soviet hammer had failed, in silencing this seemingly indomitable voice. But then there was the sound of the cello again, that warm and human sound, as the soloist poured forth on the stage, and it was as if Slava were there once more because every cheek in the house was wet, and at this moment, a moment he would have loved, it was enough to know that in his playing, and forever in his instrument, there was so much...