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Died. Henry ("Red") Allen, 59, husky-voiced Negro singer and jazz trumpeter, who started playing the horn at eight in his father's New Orleans marching band, wailed his way to fame as a sideman and soloist with King Oliver, Fletcher Henderson and Louis Armstrong in the 1920s and '30s, later formed his own group, became a fixture at Manhattan's Metropole Cafe and Newport Jazz Festivals; of cancer; in Manhattan...

Author: /time Magazine | Title: Milestones: Apr. 28, 1967 | 4/28/1967 | See Source »

Like many contemporary composers, America's Lukas Foss, 44, has been experimenting lately with new sounds. At Manhattan's Carnegie Hall last week, Foss conducted the London Symphony Orchestra, with Soloist Mstislav Rostropovich, in the world premiere of his Concert (not, inexplicably, concerto) for Cello and Orchestra. There were no really new sounds in the piece-just old sounds, such as blatt, splatt and pflat...

Author: /time Magazine | Title: New Works: Pffhonk! | 3/17/1967 | See Source »

David Avshalamov, the soloist in Milhaud's Percussion Concerto made the opening piece fun to watch, pulling one instrument after another--including a dilapidated Fourth-of-July noisemaker--from a cache under his row of drums. His engaging performance made it hard to concentrate on the music, and it was just as well, for musically the piece is quite dull...

Author: By Robert S. Coren, | Title: HRO | 3/6/1967 | See Source »

...Pianist Peter Serkin, musical nirvana is being scrooched up in a recording studio retaping and re-retaping portions of some concerto. Like Glenn Gould, Serkin, 19, is one of the new strain of virtuosos who play beautiful music but in few other ways resemble the traditional concert soloist. He is totally indifferent to audiences, abhors the personality cult, is convinced that performers get in the way of the music, and that the only way to play is in the quiet privacy of the recording studio, where perfection is the only reality. "Listening to music," he says, "should be the most...

Author: /time Magazine | Title: Pianists: The Boy Who Hates Circuses | 2/24/1967 | See Source »

Having studied to be a soloist, he resents the ignominy of sawing away with the masses. He shares with other string players the conviction that there is something unfair about having devoted a lifetime to conquering his instrument when other musicians have mastered theirs in only a few years. High-strung, persnickety, he raises potted plants and an ulcer...

Author: /time Magazine | Title: Orchestras: Psychic Symphony | 2/17/1967 | See Source »

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