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Word: soloists (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...York Philharmonic (Sun. 2:30 p.m., CBS). Soloist: Violinist Erica Morini...

Author: /time Magazine | Title: TELEVISION: Program Preview, Jan. 3, 1955 | 1/3/1955 | See Source »

...York Philharmonic (Sun. 2:30 p.m., CBS). Soloist: Clifford Curzon...

Author: /time Magazine | Title: TELEVISION: Program Preview, Dec. 6, 1954 | 12/6/1954 | See Source »

...Cambridge Society for Early Music devoted all three of its concerts this fall to works by Johann Scbastian Bach. In the second concert, Ruth Posselt was the featured soloist in three of the rarely performed Sonatas for violin with harpsichord and continue. I admired especially the rhythmic vitality and sharpness of articulation which she brought to these works. Her dramatic vibrato, however, seemed out of place in the stately declamation of the E major Adagio, while the following Allegro sounded overly stiff, and other occasional nuances of mood were only slightly indicated. Yet within her conception, the performance was minutely...

Author: By Alexander Gelley, | Title: Bach Concerts in Sanders | 12/2/1954 | See Source »

...Angeles Philharmonic, conducted by Alfred Wallenstein, also tried some electronic tricks. Its featured soloist was a black box-an Ampex tape recorder. The work, called Poem of Cycles and Bells, was composed by Manhattan Tape-sichordists Vladimir Ussachevsky and Otto Luening (TIME, Nov. 10, 1952). Described as "music trapped from beyond the range of the human ear," the solo part consisted of ordinary flute, piano and vocal sounds, recorded and then sometimes distorted beyond recognition by various mechanical and electronic means. The composition got notice as far away as Baltimore, where the Sun protested: "Down with Space Music . . . Give...

Author: /time Magazine | Title: Music: Symphonic Novelties | 11/29/1954 | See Source »

Inclusion of a solo cantata in Sunday's program provided excellent contrast to the choral sound. Above all, Rameau's Le Berger Fidele requires style to sustain the text's nonsense. Fortunately the soloist was Jean Lunn, whose lovely voice is not yet tired from a heavy concert schedule. Her phrasing, diction, and impeccable vocal ornamentation placed the cantata's fluffiness in a proper musical perspective...

Author: By Robert M. Simon, | Title: Bach Society Chorus | 11/23/1954 | See Source »

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