Word: soloists
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Dates: during 1950-1959
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...belly dance and a Greek striptease, at gladiatorial combat in the arena. In his experimental dance technology, Moiseyev brilliantly scrapped most of the cliché-laden movements and figures of Russian classical ballet, while retaining classical techniques of body control. Moreover, Moiseyev did away with the traditional counterpoint between soloist and corps de ballet, made mass dancing the ballet's main feature ("My hero," says Moiseyev, "is the masses...
...week's production (including Julia May Scott, daughter of an American Negro and a Russian mother) were unknown to the West. They were drawn from the corps de ballet on the theory that they would be less hidebound by classical technique than the older dancers (an exception: famed Soloist Maya Plisetskaya, dancing the courtesan Aegina). Lavishly supported by the government, the Bolshoi currently has some 250 regular dancers and mimes, including what is probably the most brilliant collection of soloists in the world...
...Spanish Composer Joaquin Rodrigo's Fantasia para Gentilhombre, performed by the San Francisco Symphony under Spanish Conductor Enrique Jordá, with famed Spanish Guitarist Andrés Segovia as soloist. Said blind Joaquin Rodrigo, 55, Spain's No. 1 contemporary composer: "I was afraid to compose a work for so great a guitarist." Replied Segovia: "I was afraid to perform it." After the low Spanish bows were over, soloist and orchestra set to work, unveiled an appealing, fastidious, slightly melancholy piece whose dance rhythms gave Segovia's guitar a chance to enthrall the audience...
...Poto's credit, he is an excellent accompanist and extremely sympathetic with a soloist. Last night's was Joel Sachs '61, this year's winner of the Pierian Sodality Concerto Contest. In its musical problems, the Fourth Concerto is one of the most difficult in the entire literature. Mr. Sachs was most successful when he did not attempt to do something unusual. His strongest asset is an exceptionally lovely and fluid tone, which was often ravishing in the closing Rondo. His passage-work, particularly in the last movement when it cleared up, sparkled, and the reading was modest, but very...
Mozart's motet for soloist and orchestra, "Exsultate, jubilate," which preceded the Hindemith, fared less well. The spirit of Hindemith hovered over, giving an air of tenseness that was out of key with this more gentle work. The orchestra, which is usually excellent in accompaniment, was strangely insensitive and much too loud. Miss Lunn, although technically in full command of her difficult part, had to push her voice, and still was often inaudible, especially in the cadences. The entire performance of this work bordered on the hysterical...