Word: soloists
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...born son of Czech parents, went to work on his 22-minute concerto in 1956 at the suggestion of Marimbist Vida Chenoweth. completed the piece a year before his death of leukemia in 1957 at 35. Last week's performance, conducted by Richard Korn, featured Marimbist Chenoweth as soloist. A small woman (5 ft. 2 in.), she seemed dwarfed by her instrument-a 6-ft. tablelike frame supporting a graduated series of hardwood strips with a row of tubular resonators attached. But when she started to flail away with both wool and rubber-tipped mallets, Marimbist Chenoweth proved herself...
...collects tropical fish, loves water-skiing and plays the piano with the aplomb of a seasoned virtuoso. Word about Lorin has been spreading in the musical world since the evening, three years ago, when he sat down with Manhattan's Little Orchestra Society as a last-minute substitute soloist and dashed off Ravel's tortuous Concerto in G Major as if he owned it. Last week, impassive as ever, Lorin appeared on the Telephone Hour (NBCTV) playing Chopin's Waltz in C-Sharp Minor and an excerpt from Saint-Saën's Fifth Piano Concerto...
...VIENNA FESTIVAL, 1959. The International Festival of the Vienna Concert House Society. Soloist's Concert. Nathan Milstein, violinist, plays works of J. S. Bach. (Broadcasting Foundation of America...
Joel Sachs was the soloist, and though he was always musical his Bach seemed to me too fragile in places and too brusque in others. The employment of a Debussy pianissimo with generous use of the pedal is not always ideally suited to the baroque style. Yet Mr. Sachs showed he could play firmly and resonantly if he chose, even in mezza voce. The orchestral sections were rhythmical and well phrased...
...last movement sounded grim and dogged and too tense. With regard to the difficult dynamic problems of the slow movement, it is often the case that a relaxed, controlled mezzo-piano will actually sound quieter than the strained tone the full orchestra produced when trying to match the soloist's softest passages. The orchestra fared better in the opening movement, where it could display its brilliant sound with less inhibition...