Search Details

Word: soloists (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Sanders last Friday night was disappointing. The only part of the program that was musically acceptable was Frances Steiner's playing of the Saint-Saens Violoncello Concerto, Opus 55. Her tone was usually warm and clear, and the technically difficult passages were executed with a degree of ease. Unfortunately, soloist and orchestra did not always pay sufficient attention to each other...

Author: By Bertram Baldwin, | Title: The Harvard-Radcliffe Orchestra | 3/11/1957 | See Source »

...concert concluded with Mozart's D-minor Piano Concerto, K. 466, surely his finest contribution to the medium. This is a work of tragic import, until the last pages of the rondo almost turn it into a gay ensemble from an opera buffa. The piano soloist was Kenneth McIntosh, who, versatile trouper that he is, played the French horn before the intermission. He approached the concerto with uncommon intelligence, and showed that he knew when the piano writing was mere accompanimental figuration for the orchestra, a feature many professionals would do well to note. His playing was effortless, unmannered...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 3/5/1957 | See Source »

...more than capacity audience called conductor and soloist back six times. It was indeed a concert of professional quality, and as fine an evening of student orchestral playing as I have heard in Cambridge over many years...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 3/5/1957 | See Source »

Philadelphia Orchestra (Sat. 9105 p.m., CBS). Eugene Ormandy conducting; Robert Casadesus, soloist...

Author: /time Magazine | Title: TELEVISION: Program Preview, Feb. 11, 1957 | 2/11/1957 | See Source »

Concernmaster During most of the season Richard Burgin, 64, sits unobtrusively at the violin section's first desk of the Boston Symphony Orchestra, as he has for the past 36 years. At the end of a performance the conductor or guest soloist will shake his hand; if the guest happens to be someone as impulsive as Leonard Bernstein, he may even kiss his cheeks. For the rest, the concertmaster's job is done out of the public view, preparing the violins for the effects the conductor wants, marking the bowings, in general setting the tone of the orchestra...

Author: /time Magazine | Title: Music: Concertmaster | 1/21/1957 | See Source »

Previous | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | Next