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...popeyed, bushy-haired little man had scarcely raised his baton to signal the opening of the piano concerto's slow movement when he paled and swayed on the podium. Soloist Vera Franceschi swiftly signaled the sound engineers to stop the recording. Then she helped Conductor Franco Ferrara to a chair, plied him with black coffee. Ten minutes later he rapped the Santa Cecilia Orchestra of Rome to silence, led them the rest of the way through a singing recording of Ildebrando Pizzetti's Canti della Stagione Alta...

Author: /time Magazine | Title: Music: The Fainting Maestro | 7/16/1956 | See Source »

...hermit-like existence. When San Francisco-born Pianist Franceschi, an old friend, arrived in Rome this spring on a recital tour, she took to visiting Ferrara to play him his favorite sonatas. Slowly she reawakened his interest, at last persuaded him to conduct an orchestra with herself as soloist for a series of recordings. Under Soloist Franceschi's watchful eye, the recordings were completed. It seemed this week that Conductor Ferrara may at last be licking his old weakness. Vera Franceschi is sure of it. She plans to bring him to the U.S. this fall...

Author: /time Magazine | Title: Music: The Fainting Maestro | 7/16/1956 | See Source »

...theater is jammed with adolescents from the 9 a.m. curtain to closing, and it rings and shrieks like the jungle-bird house at the zoo. If one of the current heroes is announced-groups such as Bill Haley and His Comets or The Platters, or a soloist such as Elvis Presley-the shrieks become deafening. The tumult completely drowns the sound of the spastically gyrating performers despite fully powered amplification. Only the obsessive beat pounds through, stimulating the crowd to such rhythmical movements as clapping in tempo and jumping and dancing in the aisles. Sometimes the place vibrates with...

Author: /time Magazine | Title: Music: Yeh-Heh-Heh-Hes, Baby | 6/18/1956 | See Source »

Fresh from triumph as concerto soloist with the Pierian, sophomore David Hurwitz gave sonata recital on May 11 in Adams Dining Hall. Topnotch violin playing in solid Hindemith and Beethoven works, despite an occasional uneven bowing. Intonation accurate, tone never forced. Molds beautiful lines with much care; has great insight into phrasing of the music. A real musician's violinist in the best Mischa Elman tradition. For my money, the finest undergraduate violinist here in at least ten years; has the stuff of which great fiddlers are made. Jonathan Thackeray his partner at the piano. Formidable technique, but tended...

Author: By Our MAN Caldwell, | Title: Notes on Recent Concerts | 5/22/1956 | See Source »

...very well. The celebrated "Dissonant" Quartet suffered at the hands of the Cambridge Quartet from raggedness and faulty violin intonation. If only all the players had been up to 'cellist Charles Forbes! The group has done much better in the past. Sarah-Jane Smith the concert's featured soloist, singing four works in four languages. Well-trained and agile voice, but tone tended to be too breathy. Most noteworthy was Ch'io mi scordi te?, one of those demanding "concert arias" that are in effect extensive, multisectional operatic scenes for one person...

Author: By Our MAN Caldwell, | Title: Notes on Recent Concerts | 5/22/1956 | See Source »

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