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...Mozart's aerial melodies, the concert came heavily back to earth with Charles Loeffler's Canticle of the Sun. It resembles the sound track of a Disney True Life Adventure. Augmented by two harps, celesta, and piano, the orchestra plays swooping glissandos and tortured Puccini-like harmonies; the soprano soloist must remain throughout in a palpitating ecstasy totally incongruous with St. Francis' humble text. At least Canticle had the benefit of Janet Wheeler's lovely voice and inspired instrumental work under conductor Kalman Novak...

Author: By Robert M. Simon, | Title: Longy School | 5/10/1954 | See Source »

...York Philharmonic (Sun. 2:30 p.m., CBS). Rachmaninoff's Piano Concerto No. 4, with Soloist Leonid Hambro...

Author: /time Magazine | Title: RADIO: Program Preview, Apr. 26, 1954 | 4/26/1954 | See Source »

...featured soloist was pianist Findlay Cockrell '57, winner of Pierian Sodality's Concerto Contest this year. His interpretation of the Liszt E-Flat Piano Concerto was refreshing in two respects. He brought to it a brashness and fluency of approach with which his technical prowess was fully capable of coping; and he avoided even the slightest hint of those mannerisms whose abuse has made this work seem hackneyed to many...

Author: By Alexander Gelley, | Title: Orchestra Gives Holmes Memorial Concert | 4/20/1954 | See Source »

...sell advertising time to the merchants. "I remember one show we put on in Sycamore, Illinois," he says. "I was the announcer. The local township orchestra was directed by a girl named Florence Wollensock, and I made the mistake of calling her 'Cot-tonsock' several times. The soloist on the same show was a girl named Lulu Clutter, and the accordionist was Charlie Pittlecow. If that wasn't an announcer's nightmare...

Author: /time Magazine | Title: A Letter From The Publisher, Feb. 8, 1954 | 2/8/1954 | See Source »

...musical setting must heighten, not dwarf the spirit of the poetry. Finally, there is the language--the cool, stark quality of Latin in this case--to render beautiful, Mr. Bonvalot's settings fulfilled these qualifications to a remarkable dgree. The power and intelligence with which Mr. Bonvalot, one soloist, conveyed both the dramatic and musical aspects of the work further contributed to their overwhelming impression upon...

Author: By Alexander Gelley, | Title: Harvard Composers | 1/18/1954 | See Source »

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