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...instance, in “Guide My Feet,” another spiritual often sung by Kuumba, the entire song is composed of the soloist singing “Guide my feet,” “Hold my hand,” or various other requests followed by the choral response, “While I run this race.” On the surface this structure may seem repetitive, but when sung, it creates a powerful motif of unity and a joint plea to God flung up to heaven by the slaves...

Author: By Kamala S. Salmon, | Title: The Legacy of Negro Spirituals | 2/26/2002 | See Source »

...helped carry Soul Coughing’s alternative-meets-sugarfree-jazz sound through an eight-year run, best known for tracks such as “Super Bon Bon” and “Circles.” I had a chance to speak with the newly turned soloist recently about his upcoming tour, his thoughts on music, and a critique of the music industry...

Author: By Matthew S. Rozen, CONTRIBUTING WRITER | Title: Doughty Likes It Warm and Fuzzy | 2/15/2002 | See Source »

...soloist, Doughty has moved away from the Soul Coughing sound he calls “a very baroque arrangement, so big, so much density to the songs.” In his words, “When you just strip it down to the basic chord and the melodies, there’s kind of a haunting quality that I really like.” He has gone acoustic for his upcoming tour, as he did on Skittish. “It’s how I started out,” he reminds us, “it?...

Author: By Matthew S. Rozen, CONTRIBUTING WRITER | Title: Doughty Likes It Warm and Fuzzy | 2/15/2002 | See Source »

...club’s small confines, Bartlett was the rhythm section rock on which Frankie was able to build great flights of fancy. Pianist Israel Tannenbaum played an almost ironic performance, leaping up and down the keyboard in vertical chords under the effigy of Lester Young, a soloist renowned for his horizontal and compressed playing. Tannenbaum also contributed one of the evening’s more poignant moments, a fractured version of “Happy Birthday” before the band gave it an abbreviated dirty funk treatment. Eguie Castrillo occupied a middle space on the congas, sometimes meshing...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: V Is for Victory | 11/30/2001 | See Source »

...sheer finger power on display in his latest album, a head-spinningly fizzy two-CD set of the ever-so-French music of Camille Saint-Saens, composer of Carnival of the Animals (Hyperion). But Stephen Hough is not your ordinary piano man. Uninterested in going the safe star-soloist route, he revels in playing the music he loves best in smaller cities and with regional orchestras. Yes, that includes Saint-Saens, Rachmaninoff and all the other romantic concerto merchants beloved of tradition-minded concertgoers. But his huge repertoire also includes an astonishing variety of other works, among them the challenging...

Author: /time Magazine | Title: Music: Unsnobby At The Keys | 11/19/2001 | See Source »

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