Word: soloists
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...played, sang along with the music, and sat on a stool so low that he could touch the keyboard with his nose. Before a performance of the Brahms D minor piano concerto, Conductor Leonard Bernstein turned to the audience and made a short speech, dissociating himself from his soloist's unorthodox view of the piece. At his Cleveland Orchestra debut in 1957, he tangled with the irascible maestro George Szell over his use of the soft pedal in a Beethoven concerto; Szell never performed with him after that, but saluted: "That nut's a genius...
...teenager, Weakland was torn between two vocations. After making a creditable soloist's debut, performing Rachmaninoff's Piano Concerto No. 2 with a local orchestra, he considered a musical career. Instead, he became a Benedictine monk at St. Vincent's Archabbey in Latrobe, Pa., in 1945. Nonetheless, he kept up his music, earning a master's degree in piano at New York City's Juilliard School and doing doctoral-level work in musicology at Columbia University. He also transcribed medieval works into modern notation for the Play of Daniel, a heralded music-drama introduced...
...contemporary music is already clear in his Cleveland programming: on a U.S. tour last month, he offered a ravishing performance of Arnold Schoenberg's unfinished atonal oratorio, Die Jakobsleiter (Jacob's Ladder), and an impassioned reading of Alban Berg's twelve-tone Violin Concerto, with Soloist Itzhak Perlman. The most recent Severance Hall program featured the late-Romantic composer Hans Pfitzner's Violin Concerto, a work rarely heard outside Germany. Yet Dohnanyi is also strong in more traditional fare, which he leads with crisp economic gestures. A propulsive but disciplined reading of Schumann's underrated...
Marvin Gaye, just like Diana Ross, the Temptations, Smokey Robinson and Stevie Wonder, had a special right to carry the Motown torch. Hired as a drummer for Smokey Robinson, Gaye instantly began a career as a soloist that culminated in his rise as one of the first Motown stars daring to criticize the Establishment. He challenged the war with "What's Going On?," lashed out at pollution with "Mercy, Mercy Me," and called for hope by recording, with Tammi Terrell, the Ashford and Simpson hit "Ain't No Mountain High Enough." His songs also influenced later white artists; the Rolling...
...plight, but just at the moment he is involved with a girl revolutionary he smuggled across the Austro-Italian border. Alvaro (Hector Alterio), his sexuality dampened by illness, his ego padded by wry self-awareness, endures, but only as accompanist to the boy when he sets forth on a soloist's career, still blithely unaware of the damage he has done...