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But “Quarantine the Past” should be granted a certain degree of forgiveness; many of the songs do in fact define the band and speak for themselves. It’s difficult to argue with the sun-kissed slow burn of “Summer Babe...

Author: By Jessica R. Henderson, CRIMSON STAFF WRITER | Title: Pavement | 3/9/2010 | See Source »

Titus Andronicus named themselves after Shakespeare’s goriest play. Just as this would imply, their lo-fi punk rock sound abounds with vocal violence and instrumental incursions. The band’s 2008 debut album, “The Airing of Grievances,” was a blast...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Titus Andronicus | 3/9/2010 | See Source »

The shift is both regression and release. For the first time since 1998’s “A Series of Sneaks,” Daniel applies the same ferocity to his vocals as he does towards his one-chord guitar solos. “I want to show...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Spoon | 2/2/2010 | See Source »

Alternating horn and flute solos were tonally layered upon high woodwind accompaniment, providing colorful interludes between the serene string passages. In a slight lull, the ensemble reached a plateau halfway through and wandered a little too much under Luisi’s distinctly European conducting, with more reserved gestures as...

Author: By Monica S. Liu, CRIMSON STAFF WRITER | Title: Guests Bring Flair To Traditional BSO | 11/16/2009 | See Source »

One of the tidier tracks is “Don’t Make Fun of Daddy’s Voice,” which first appeared as a B-side to the 2004 single “Let Me Love You.” Simple chord progressions on thick...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Morissey | 11/6/2009 | See Source »

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