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Word: solosings (lookup in dictionary) (lookup stats)
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Franco has been too wise to try to stop Spaniards from talking. "Free speech is abundant," says a confirmed Francophobe, "and it is a right we exercise to the fullest." One of Spain's most cherished institutions, in fact, is the tertulia, an informal club of a dozen or...

Author: /time Magazine | Title: Spain: The Awakening Land | 1/21/1966 | See Source »

But they never do. In fact, when the house lights go down on a concert today, it is often the audience that strikes up the overture. It is a kind of barnyard symphonette. The Hummer and the Time Beater serve as the rhythm section; the Cellophane Crinkler and the Program...

Author: /time Magazine | Title: Audiences: Let Them Eat Bananas | 1/21/1966 | See Source »

Schoenberg wrote this gargantuan cantata before he made his break with tonality, but he deploys the oversized orchestra and chorus in daring polyphonic passages that alternate with romantic solos, sung beautifully in this recording by Soprano Inge Borkh and Tenor Herbert Schachtschnei-der. The Bavarian Radio Orchestra is con ducted...

Author: /time Magazine | Title: Television: Nov. 26, 1965 | 11/26/1965 | See Source »

ALL I REALLY WANT TO DO (Imperial). Chér solos the Dylan song that lays down Martin Buber's I-Thou philosophy for teenagers: "I don't want to select you, dissect you, inspect you or reject you./ All I really want to do is be friends...

Author: /time Magazine | Title: Television: Sep. 17, 1965 | 9/17/1965 | See Source »

ANDREW HILL: POINT OF DEPARTURE (Blue Note). This is a highly individualistic combo with a strong visceral sound. The standout is the late saxophonist Eric Dolphy, who easily steals the record from Hill with searingly emotional solos, and stimulates Joe Henderson (tenor sax), Kenny Dorham (trumpet) and Richard Davis (bass...

Author: /time Magazine | Title: Television: Sep. 3, 1965 | 9/3/1965 | See Source »

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