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Dr. Koussevitzky's interpretation may be subject to personal criticism, but it is a warm, lyric approach that does full justice to the cyclical construction and almost earthy quality of the music. For, despite name, the Requiem is not sorrowful or morbid, but confident and reassuring. Particularly fine were the...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 4/23/1947 | See Source »

In 1939 Wasowski was known only in Lwow, where he took lessons from his piano-teaching mother and played solos with the Lwow Philharmonic Society. When the Russians entered Poland they heard his fiercely impassioned interpretations of Chopin, packed him off to play in Russia. In Kharkov he performed nine...

Author: /time Magazine | Title: War Prodigy | 11/25/1946 | See Source »

Their style is a draggy, lush melodic line trimmed with Elliot's piano solos. For sugar-spinning, the band has a symphonic wind section (bassoon, oboe, French horn, English horn and clarinet) which Elliot calls a Woodwindtette. Says he: "We're trying to get more classical sounds. That...

Author: /time Magazine | Title: Music: Purple Moodmaker | 11/4/1946 | See Source »

Readers of Delta Wedding are likely to get hopelessly tangled in a welter of entering-and-exiting great-aunts, uncles, fathers, cousins, sons, daughters and defunct ancestors. But what they will get clearly, and often admirably, is Author Welty's subtle blending and harmonizing of the moods and characteristics...

Author: /time Magazine | Title: Books: Cloud-Cuckoo Symphony | 4/22/1946 | See Source »

In 17 months at Decca, Heifetz has recorded, among other "Americana," glossy Negro spirituals and Irving Berlin's White Christmas. His second Decca album, out this month (Gershwin, arranged by Jascha Heifetz; Decca, 8 sides), contained Porgy and Bess songs and three Gershwin preludes, brilliantined up with double stops...

Author: /time Magazine | Title: Music: The New Records | 4/15/1946 | See Source »

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