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Word: solosings (lookup in dictionary) (lookup stats)
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Hovey handles this transformation prudently, choosing not to act out a drastic change of character, instead letting the circumstances around him shape his metamorphosis. His easy command of Gilbert's dialogue renders his earnest, deadpan performance natural and often slyly comical. Hovey uses his strong, sweet tenor to a similar...

Author: By Michael W. Miller, | Title: A G & S Surprise | 12/11/1980 | See Source »

In the show's most touching number, "Thank Heaven for You", Everett Gibson, a solid tenor whose voice fills the theater with a marvelous operatic resonance, and Cheryl Coston, a petite soprano with a versatility that can conquer both ballads and jazzy scat-singing, perform a coppella love song that...

Author: By David C. Edelman, | Title: Finishing With a Bang | 12/11/1980 | See Source »

THE MUSICAL NUMBERS carry a great deal of the show. The songs, written by Melissa Mizel and Michael Schubert, capture different moods and stages of development of kids who have emerged from the cavity-prone years, but are not quite ready to compete with leaders of today. They move along...

Author: By Sarah L. Mcvity, | Title: Students of Today | 11/12/1980 | See Source »

Baryshnikov appears first, dressed in gold, before a simple colonnade. He dances the theme and is then joined by his friends, six girls and six boys, who start to perform harmonious variations. These have a serenity and symmetry that recall court dancing. Baryshnikov's solos-some intricate, others almost...

Author: /time Magazine | Title: Dance: Golden Apples of the Sun | 8/18/1980 | See Source »

They may not have known the grim details of that route: the heavy drinking at 15, the heroin addiction at 25, the two broken marriages, the ten years in hospitals, prisons and other institutions, the illness and waste and frequent despair. But they could see some of its ravages in...

Author: /time Magazine | Title: Music: What Dues He Had to Pay | 5/26/1980 | See Source »

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