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...London Records (English Decca) completes the world's first recording of Wagner's Der Ring des Nibelungen, conducted by Georg Solti...

Author: /time Magazine | Title: Music: Top of the Decade: Music | 12/26/1969 | See Source »

Richard Strauss: Der Rosenkavalier (London). Conducted by Georg Solti, this Rosenkavalier neatly obliterates its recorded competition. Three lush-voiced ladies (Régine Crespin, Helen Donath and Yvonne Minton) keep the story poised convincingly between spring and autumn and the music teetering tenderly on the verge of tears. The big cast is stuffed with the names of well-loved Viennese singers, as well as the Met's sensational new tenor, Luciano Pavarotti...

Author: /time Magazine | Title: Music: Opera on Your Own | 12/12/1969 | See Source »

Undaunted by Chicago's reputation, Conductor Georg Solti has decided that if Reiner could win that kind of fray, he can too. Perhaps the fact that Solti is also a Hungarian with distinct Germanic musical preferences had something to do with his decision to sign on for three years. Certainly, any conductor would think twice before turning down the Chicago offer. It reportedly pays $90,000 a year, and though Solti will be responsible for planning the orchestra's entire year, he will only have to conduct three months of subscription concerts. But the overriding reason...

Author: /time Magazine | Title: Conductors: Into the the Fray | 4/11/1969 | See Source »

Natural Rhythm. If anyone can do it, Solti (pronounced Shol-tee) is the man. Currently music director of London's Covent Garden, and a frequent guest conductor at the Metropolitan Opera and the New York Philharmonic, Solti last week concluded a three-week guest engagement with the Chicago Symphony prior to the formal takeover in September. His final concert-devoted entirely to Mahler's Second Symphony-demonstrated the kind of technical brilliance and interpretive sagacity that have made him one of the world's half-dozen best conductors. The audience gave Solti one of the biggest ovations...

Author: /time Magazine | Title: Conductors: Into the the Fray | 4/11/1969 | See Source »

Actually, the orchestra members have found, to their delight, that he is not quite the temperamental Magyar they had been led to expect. "Usually conductors are relaxed at rehearsals and tense at the concerts," says First Violinist Victor Aitay. "Solti is the reverse. He is very tense at rehearsals, which makes us concentrate, but relaxed during the performance, which is a great asset to the orchestra...

Author: /time Magazine | Title: Conductors: Into the the Fray | 4/11/1969 | See Source »

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