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...Georg Solti, the conductor whose 28 Grammys are the most ever won, was nominated in the category of best orchestral performance...

Author: NO WRITER ATTRIBUTED | Title: Collins Racks Up Grammy Nominations | 1/11/1991 | See Source »

...reason that Karajan, Karl Bohm, Carlo Maria Giulini, Sir Georg Solti and the other gerontocrats who dominated the musical scene after World War II were able to last so long was that there was simply no seasoned competition: the conflict killed off a whole generation of Europeans and some Americans, from whose ranks their successors might ordinarily have emerged. Partly as a result, the repertoire stagnated as Karajan and his contemporaries grew increasingly out of touch...

Author: /time Magazine | Title: Music: At Last, Some Fresh Faces | 10/30/1989 | See Source »

...room for a music director," said Previn. The startling announcements fueled a flurry of who-goes-where speculation that had already begun in Paris, where the new Opera de la Bastille is seeking an artistic director to replace the fired Daniel Barenboim (who has been named Sir Georg Solti's successor with the Chicago Symphony), and in Manhattan, where the New York Philharmonic must replace Zubin Mehta, 53, who has said he will leave...

Author: /time Magazine | Title: Music: Now, A Grab for New Chairs | 5/8/1989 | See Source »

...charge of Parisian opera. Zubin Mehta of the New York Philharmonic said, "I will not go there under these circumstances." Herbert von Karajan, the grand old czar of the conducting world, declared that his plans for the Bastille were "null and void." Also lining up behind Barenboim: Sir Georg Solti of the Chicago Symphony and Carlo Maria Giulini, formerly of the Los Angeles Philharmonic...

Author: /time Magazine | Title: Music: Second Storming of the Bastille | 1/30/1989 | See Source »

...from a regional ensemble devoted largely to Italian opera into an international powerhouse that won renown by presenting major works, like Strauss's Die Frau ohne Schatten, for the first time in the U.S., and by offering major American opera debuts to Leontyne Price, Elisabeth Schwarzkopf and Sir Georg Solti. While never equaling New York City's Metropolitan Opera in either budget (currently $23.7 million vs. $88 million) or length of season (13 weeks compared with 32 weeks), San Francisco established itself as an alternative that was often more interesting and adventurous than its staid East Coast rival...

Author: /time Magazine | Title: Music: Nowhere To Go but Up | 9/26/1988 | See Source »

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