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...would be incorrect to say the Boston Symphony is the best in the U.S., or even that there is a Big Five any more. The Cleveland Orchestra, under Lorin Maazel, has become the most beautifully balanced American ensemble, with the richest, warmest sound. The sheer virtuosity of Sir Georg Solti's Chicago Symphony is without peer domestically, whatever Solti's interpretive excesses. The other two members of the Big Five are the Philadelphia Orchestra, once magnificent but facing an uncertain future in the hands of its new music director, Riccardo Muti, and the New York Philharmonic, a temperamental...

Author: /time Magazine | Title: Music: Centennial at Symphony | 11/2/1981 | See Source »

Ineffable pianissimos anticipate the loud reveilles and marches. Even Georg Solti with the Chicago Symphony (on London) cannot make the airs as sweet as Abbado does. If Solti got high with the Chicago before the 1970 release of his recording, Abbado, hardened by years of vicissitudes from fighting Mahler's Sixth, conducts the same troops ten years later with discipline and clear command...

Author: By Robert F. Deitch, | Title: Francis Ford Mahler's Sixth | 1/26/1981 | See Source »

...putdown Second City, Chicagoans have been perversely proud of it-all the more so when they could lay claim to the nation's tallest building (the Sears Tower), most durable big-city mayor (the late Richard Daley) and arguably the best symphony orchestra (under Conductor Sir Georg Solti...

Author: /time Magazine | Title: Nation: Body Count | 9/15/1980 | See Source »

Soviet dissident and writer Aleksandr I. Solzhenitsyn, conductor Sir Georg Solti, novelist Gunter Grass and undersea explorer Jacques Cousteau are among past recipients of honorary degrees. Cronkite follows Rodney Dangerfield and Theodore H. White '38 as Class Day speaker...

Author: By David R. Merner, | Title: Cronkite to Accept Honorary Degree | 5/14/1980 | See Source »

Mozart: Don Giovanni (Baritone Bernd Weikl and Bass-Baritone Gabriel Bacquier, Sopranos Margaret Price and Sylvia Sass, London Opera Chorus, London Philharmonic, Sir Georg Solti conductor, London; 4 LPs). "Summer lightning made audible" was Shaw's metaphor for this miraculous score, and it serves well to describe Solti's performance-swift, dramatic, deft. The tragic hints in the work are systematically underplayed; the elegant comic surface remains unbroken. Colin Davis' 1974 recording, with its darker moods and more muscular texture, still provides a compelling alternative reading. But the splendid cast and Solti's conducting make this...

Author: /time Magazine | Title: Music: Sounds for a Winter Night | 1/14/1980 | See Source »

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