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...President of Dartmouth University.The symposium brought together PIH doctors, volunteers, and project leaders who work for social justice and health care to highlight this year’s theme of “Solidarity in Action,” shown in the power of accompaniment.The event opened with a somber tone as three speakers gave a tribute to Dr. Josue Augustin, the director of surgery for PIH’s partner organization in Haiti, whose murder on August 31st, 2009 remains unsolved.Mourning the loss of Augustin, Dr. Joia Mukherjee, Chief Medical Officer for PIH described...

Author: By Helen X. Yang, CRIMSON STAFF WRITER | Title: Partners in Health Gather for Symposium | 10/5/2009 | See Source »

...Coco Chanel in an actual classroom in Coco Before Chanel, the meticulous, somber new biopic of the fashion designer before she became an icon. But throughout writer-director Anne Fontaine's film, the young Coco (Audrey Tatou) is a student, quietly gathering the elements of what will be her style...

Author: /time Magazine | Title: Coco Before Chanel: The Making of a Fashion Icon | 9/23/2009 | See Source »

FlyBy couln't help but notice that Justice Souter--who turned 70 yesterday-- had traded in his somber black robe for a snappy Lowell House...

Author: By Luis Urbina | Title: Spotted: Erstwhile Lowellian, Adjudicator | 9/18/2009 | See Source »

...When you're feeling blue, wear red," designer Pauline Trigre reportedly said. And despite an inclination toward a more somber palette in these sobering times, designers are now abiding by her rosy words. At Dior, John Galliano sent an oriental-red power skirt suit with cheongsam fastenings down the runway and made a splash with rain boots that would brighten any forecast. Tolomeo's red table lamp adds a dash of spice to the home, while Fendi's leather handbag is a primary touch for fall. And Giorgio Armani's red Swarovski dragonfly glasses are sure to give...

Author: /time Magazine | Title: Crimson Tide | 9/13/2009 | See Source »

...thriving,” Cutler notes of his time spent at Vogue. Since the publication of that sartorial magnum opus, the nearly 120-year-old magazine has suffered a downturn in size and ad pages, making “The September Issue” seem like an unknowingly somber look at an era of excess gone by. Cutler insists that the ostentatious wealth was not a focal point during filming. “I think one of the things the film succeeds at doing is showing the incredibly hard work and artistry that is pervasive through the industry, even while...

Author: By Roxanne J. Fequiere, CRIMSON STAFF WRITER | Title: The Depths of Wintour | 9/10/2009 | See Source »

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