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...small audience is perfect for her stellar vocals. You cannot help but listen to every sonorous, sexy note. Her rendition of David Bowie's "Space Oddity" is unforgettable. Merchant seduces us with her sultry vocals on "Carnival," romances our tender hearts on "Wonder" and lulls us into a somber trance on "Ophelia." Few musicians can make a small live atmosphere as truly intimate as Natalie Merchant does, and Live in Concert genuinely captures this glowing feel...

Author: By Christopher R. Blazejewki, | Title: Album Review: Live in Concert: New York City by Natalie Merchant | 11/19/1999 | See Source »

...Teeth begins with the politically charged title track--a quietly seething attack on media, weapons and weapon manufacturers. Her shaking head and pointing finger quickly shifts into a little rock and sway with "Soft Shoulder," a somber song of lost love. In another abrupt yet effective change-up, the bouncy "Swing" may have you grooving to the bass, sax and scratchy vocals. DiFranco receives some stellar support from guest artists Maceo Parker (playing sax and flute on several tracks) and the Artist (backup crooning on "Providence"), both of whom add distinct flavors to DiFranco's funkiest album...

Author: By Diane W. Lewis, CRIMSON STAFF WRITER | Title: Ani-thing you want, you got it | 11/19/1999 | See Source »

...Cont and Reynolds had chemistry and were having a laugh camping it up, shrugging their shoulders to the beat. In the background was a blown up version of his album cover, with lighting set to highlight lu Cont's flaming crimson hair. Jim Carmichael, the drummer, dressed in somber black, was the more sedate counterpoint to all that energy. Somebody had to hold down the fort, apparently...

Author: By Darly Sng, CRIMSON STAFF WRITER | Title: Les Rythmes Is Gonna Get You | 11/19/1999 | See Source »

...Bloody Valentine. Their newest release presents four new compositions and two tracks previously released on the import-only No Education = No Future (F**k the Curfew). A more restrained, ambient Mogwai emerges here: on four of the tracks, percussion is barely apparent. Chiming guitars and a somber bass make for an elegiac sound on "Stanley Kubrick" and "Burn Girl Prom Queen," while a piano provides the melody for "Christmas Song." The band's primary strength is its sense of tension: they have an ability to balance melody with noise akin to the Velvet Underground. On this release, as on their...

Author: By Dan Visel, | Title: Album Review: Mogwai | 11/12/1999 | See Source »

Chances are slim that you will soon be hearing the following line spoken in theatergoing homes across America: "Hey, honey, let's grab the kids, fly to New York and catch that new musical The Dead!" Yet, oddly, a musicalized version of James Joyce's somber short story has been one of the most anticipated events of the off-Broadway season. A star-filled cast (Christopher Walken, Blair Brown, Sally Ann Howes) has perked up interest in what is either the most intriguing or the stupidest idea for a musical in years...

Author: /time Magazine | Title: Theater: Dead Serious | 11/8/1999 | See Source »

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