Word: somberly
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...these films continue their run in theaters, I only hope that the lachrymosity of the crowds is but a fleeting spasm of emotion, emotion best forgotten along with the name of the gaffer, which scrolls down the screen while people remain seated in somber reflection. I won't worry about Titanic, an admittedly moving film about puppy love on a sinking ship. Short of bankrupting Carnival Cruise Lines, there is not much societal impact the film can expect to have...
...MASON & DIXON (Henry Holt) Thomas Pynchon's vast novel retraces the progress of the men who drew the line between the colonies of Pennsylvania and Maryland. For all its Pynchonesque tomfooleries--a talking dog, a four-ton cheese--the tale is somber, elegiac. Mason and Dixon come to realize that their triumph means an end to the wilderness, the imposition of order on "the realm of the Sacred...
...Chang's stunning rendition of Chopin's Nocturne in C-sharp minor. Chopin never wrote violin music; the Nocturne that Chang performed Friday night is a transcription of the original piano part. The Nocturne is unfalteringly sublime--in this adaptation, the violin part is elegant and the accompaniment somber and unintrusive. For this piece, Chang abandoned her usual fiery bravado for heartbreaking tenderness. Individual notes melted and the music rang with the unearthly sonority of a human voice. Its only fault was that it was tragically short, leaving one wishing that Chang had played Chopin all night...
...Agnieszka Holland's adaptation of Henry James's novel. An awkward young woman starved for affection is caught between a cynical, distant father and a spirited but selfish young suitor. Holland's camera work and sense of period are engaging throughout, and her trademark comic acuity leavens the somber arc of the story. Eventually, Leigh asserts herself just long enough to break your heart. Like its heroine, the film misses true magnificence, but its intelligent cast and sensitive story-telling are more than enough to recommend...
...Agnieszka Holland's adaptation of Henry James's novel. An awkward young woman starved for affection is caught between a cynical, distant father and a spirited but selfish young suitor. Holland's camera work and sense of period are engaging throughout, and her trademark comic acuity leavens the somber arc of the story. Eventually, though, Leigh assets herself just long enough to break your heart. Like its heroine, the film misses true magnificence, but its intelligent cast and sensitive story-telling are more than enough to recommend...