Word: somedayã
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...Third Hand” at its most experimental, as the drums and any trace of hip-hop vanish in the middle of the song and are replaced by Gregorian chant-like vocals. On the whole, the shorter cuts—“Someday?? and “Laws of the Gods”—are the weakest ones, largely because they seem like unfinished projects. By the time the electronics, the vocals, and the drums come together, the tracks are nearly over. Lyrically, the album is wholly unsatisfying, primarily because the words don?...
...chance to be impressed by my peers every day. For example, my roommate is one of the smartest and kindest people I know, equally capable of solving Ec 10 p-sets and romantic problems. My blockmate, Samir, is a brilliant mathematician and will probably run the World Bank someday??that is, if he’s not an ESPN commentator. I never would have become interested in NCAA sports or understood divisibility rules without him. My uberhip chemisty-concentrating music editor, Fritz, lectures me with equal expertise on everything from Chinese linguistics to Fermi?...
...does possess a rudimentary political philosophy that could be very appealing to some voters. This philosophy centers around Affleck’s belief in citizen legislators as opposed to career politicians. In a 2001 interview with GQ Magazine, Affleck said, “My fantasy is that someday??I can run for Congress on the grounds that everyday people—be they singers or poets or bankers or lawyers or teachers—should be in government.” If Affleck can capitalize on this notion and present cogent but less characteristically passionate arguments, then...
...Modern Age” and the precise, repetitive (so much so that it sounds like a skipping CD) background chorus strumming on “Last Nite.” The band also does a masterful job of perverting genres—“Someday?? is a dirty Bill Haley and the Comets-type number, while “Take it or Leave it” evokes comparisons to the Velvet Underground. The only track that seems somewhat incongruous among the mix is “Trying Your Luck,” which replaced...
...their new album with no frills or deviations to the tracks, and, to the surprise and dismay of many, but with my respect, no encores. The Strokes ripped through the set of pop-punk delights including crowd favorites “Last Nite,” “Someday?? and “Hard to Explain.” To describe the music, of course, there are the already clichéd Velvet Underground comparisons, but I maintain that they sound like a darker, dirtier, more anxious and volatile version of Weezer. They have precise, sonically taut...
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