Word: somehow
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Dates: during 1970-1979
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...Somehow, however, it succeeds. The production currently being rehearsed, "paper event," is being financed in part by the fees non Harvard dancers pay in order to study with Claire Mallardi, director of the Modern Dance Program and choreographer of the show and in part from Mallardi's own pocket. And the "paper event" will be produced on June 5, 6, and 7--even though the production dates were determined not for any grand reasons but because that was the only time that Agassiz was available to have its electricity plundered and the gym could be wrested away from basketball...
...financial plight of Mayor Abraham Beame's New York City is so grim that even far-out jokes have a certain plausibility. Somehow, before the end of the fiscal year on June 30, the city must raise a staggering $1 billion to meet its payroll and operating expenses and pay off its notes and bonds. Yet so shaky is its credit that it may not be able to raise the money-with the prospect of skipping payday for city employees or even defaulting on its obligations. The one fleeting hope for a painless solution came crashing down last week...
...while Hanoi is miles ahead of the Thieu government in terms of seeing to the welfare of the people, ideologically. I just can't agree with Communism, and emotionally, the meaningless deaths of my friends killed there leave me very unhappy. I probably hoped that the Third Force would somehow come to power and end the war, but I guess I really didn't have too many hopes...
...these poems is a deep commitment to the people of his country and a hatred of the hypocrisies of religion as it is still practiced in Ireland today. His later poetry suffers from its topicality, and it will probably not endure the tests of time and place, but somehow Clarke almost manages to convince us that universal themes of passion and sacrifice, of doubt and insincerity, can be rooted in words that live in the particular...
...vulgar, greedy film producer, a policeman beating a demonstrating student and Michel experiences in the occupation is never clarified. The student is hardly a sympathetic figure--his rhetoric is simplistic and his behavior infurlatingly self-righteous--yet the director suggests that his resistance to the French police today is somehow analogous to his resistance to Vichy. Nevertheless, though his understanding of this connection is unsatisfying, Drach has found an effective formal means--the intercutting of color and black-and-white sequences--of handling the difficulties involved in recreating personal experiences of the occupation without lapsing into solipsism and emotional overkill...