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...fatigued, she never betrays it. An eager, insistent clot of people pushes toward her, and somehow she manages to greet each well-wisher with a fractional recalibration of body language that suggests a wordless surge of elated surprise on her part: Oh, it's you! You're the one I've been most hoping to see, and how wonderful that we share that secret knowledge! To achieve this effect, Winslet must appear, at every minute, to be not only the most interesting person in the room but also the most interested. This is not easy, and she does it very...

Author: /time Magazine | Title: Best Actress: Kate Winslet's Moment | 2/19/2009 | See Source »

...rather be acting onscreen, which is, she says, "the one thing that I do for myself" - and lately the thing she has been doing better than just about anyone else. In an industry that insists that most actresses remain giggly, pliable and princessy well into middle age, Winslet has somehow avoided that pigeonhole entirely. She doesn't play girls; she never really has. She plays women. Unsentimentalized, restless, troubled, discontented, disconcerted, difficult women. And clearly, it's working for her. Her two most recent performances - as Hanna Schmitz, the illiterate former concentration-camp guard in The Reader, and as April...

Author: /time Magazine | Title: Best Actress: Kate Winslet's Moment | 2/19/2009 | See Source »

...lives in New York City and won those Oscar nominations for playing three Americans, two Brits and a German). She's ambitious but cheerfully self-deflating, capable of glamour but also expressive of a kind of jolting common sense. She has a strong professional ethic, which she somehow balances with her domestic life (she and Mendes have a son, Joe, 5, and Winslet has a daughter, Mia, 8, from her first marriage - she takes both kids to school most days). And, cementing her status as an icon of the Era of New Seriousness, she really likes hard work. Assuming...

Author: /time Magazine | Title: Best Actress: Kate Winslet's Moment | 2/19/2009 | See Source »

...counterfactual. 8.FM: Speaking of counterfactuals, what would the reception of the novel have been if it were released in 1764? JL: It’s just like every other [18th-century] novel. 9. FM: But earlier you said it was kind of faster paced. JL: It has to be somehow legible to a modern reader. It is quite overwrought, and it’s also quite campy, but it’s not nearly as overwrought and campy as that stuff. The novel was considered pernicious; it was a new form, considered debauched, and it played on those conventions. 10.FM...

Author: By Joseph P. Shivers, CRIMSON STAFF WRITER | Title: 15 Questions with Jill Lepore | 2/18/2009 | See Source »

...blustery January afternoon, I was one of the last people to get a peek inside the three-story apartment on Rue de Babylone where Saint Laurent lived from 1972 until his death. Stepping into the Grand Salon, visitors are met with a mind-bogglingly eclectic display of art that somehow achieves a visual harmony. An imposing Fernand Léger dominates the far wall with a Matisse nude tucked away nearby; on the other side of the broad rectangular room, where Renaissance objects of bronze and silver intermingle with sumptuous art-deco furniture, an elaborate cubist Picasso masterpiece - Instruments...

Author: /time Magazine | Title: On Auction: The Art that Inspired Yves Saint Laurent | 2/18/2009 | See Source »

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