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...Somehow, I?m not amazed that Howard Stern is on your list...

Author: /time Magazine | Title: Galley Girl: Questions for Bernard Goldberg | 7/14/2005 | See Source »

...businesses in the San Francisco Bay Area, and the power generated by that water's downhill rush supplies electricity to such vital operations as San Francisco's schools, municipal-transit system and international airport. If the dam were removed, that water and power would have to be replaced somehow, which is why the Public Utility Commission's Leal considers the idea "just plain goofy...

Author: /time Magazine | Title: Is This Worth a Dam? | 7/11/2005 | See Source »

...India has its eyes firmly fixed on the future. Everywhere there is a profound hope that its rising international status will somehow compensate for a past often perceived as one long succession of invasions and defeats by foreign powers. Perhaps there is also a cultural factor in this striking neglect of the past: as one conservationist recently told me, "You must understand that we Hindus burn our dead." Whatever the reasons, future generations will look back at New Delhi's conservation failures with deep sadness at all that has been lost...

Author: /time Magazine | Title: The Wrecking Ball Culture | 7/11/2005 | See Source »

...asked him, "Why am I doing this?" He just said, "Do it and see what happens." He usually sits by the camera, but this time he didn't. He was sitting in a corner of the big room; we didn't even see each other. And somehow we had this incredible connection. It was like smoke signals, like we were Indians. I was caught in an emotion, which I wouldn't have been if I had done it the way I would have liked to. You know, big closeup - everything would have happened much earlier. This...

Author: /time Magazine | Title: That Old Feeling: To Liv With Bergman | 7/10/2005 | See Source »

What transpires in No Country is very similar to the events in many thrillers--there are machine pistols and motels and tracking devices, shoot-outs and getaways and clever displays of hard-boiled outlaw tradecraft--but when they're expertly staged and pitilessly lighted by McCarthy, they somehow mean more than in an ordinary thriller. No Country is suffused with Modernist melancholy, a sense that our civilization is dying and all we have ahead of us are endless salt flats of moral and cultural aridity. Sheriff Bell sees people like Chigurh as avatars of things to come. "I aint sure...

Author: /time Magazine | Title: Books: Take the Money and Run | 7/10/2005 | See Source »

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