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...somehow, by a narrow margin, the film doesn't quite make it. Potter recolored his work a little more sunnily, and it is, perhaps, too compressed; it needs TV's room to digress. And the director, Keith Gordon, doesn't really recapture '50s Los Angeles, where Potter reset his flashbacks. They feel perfunctory (and underbudgeted). Finally, Robert Downey Jr., who works hard as Dark, just doesn't have the weight, age and rage Michael Gambon brought to the role...

Author: /time Magazine | Title: Movies: Tone Deaf | 11/3/2003 | See Source »

...Charlie Rittgers was able to find receivers in every nook and cranny on the field, no matter how tightly-guarded they were. Over and over again, the southpaw lofted seemingly-aimless third-down passes from deep in the backfield, and over and over again a Big Green player would somehow reel them in for a massive gain and a first down...

Author: By Lisa Kennelly, CRIMSON STAFF WRITER | Title: Big Green Offense Chock Full of Big Plays | 11/3/2003 | See Source »

...newest film, Lost in Translation. Hollywood star Bob Harris (Bill Murray) has been shipped off to Japan to hawk Suntory whiskey to the natives. There he encounters Charlotte (Scarlett Johansson), the beautiful wife of a photographer who spends much of her day staring out her window in hopes of somehow finding herself within the city’s skyline. The pair are soon discovering Tokyo culture and a profundity in their friendship that is lacking in their respective marriages. Johansson perfects the prolonged sulk, while Murray delivers his best performance yet, donning the hats of weary voyager, droll companion...

Author: By Crimson Staff, | Title: Listings, Oct. 31-Nov. 6 | 10/31/2003 | See Source »

...children,” and when they do so, does the movie make clear that these are people who lived long ago and who are not speaking for anyone other than themselves? Or does the movie imply, as all medieval passion plays unmistakably implied, that Jews of all generations somehow bear the guilt of murdering Christ and that Jewish “Christ-killers” are with us still? This is the question that needs to be asked in deciding whether the movie and Gibson are anti-Jewish...

Author: By Shaye J.D. Cohen, | Title: Critics Too Quick To Judge Gibson’s ‘Passion’ | 10/27/2003 | See Source »

...marks of Durst’s unquenchable enthusiasm. He produced seven of the tracks on his own, directed the video for “Eat You Alive,” and designed and conceptualized the album’s art (Durst’s screaming face, in green). Somehow, he also found time to hook up with Carmen Elektra and Britney Spears (though not at the same time...

Author: By Crimson Staff, | Title: New Music | 10/24/2003 | See Source »

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