Word: somehows
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...poisoned; we all know too much. "This second group would squash Richard Hatch like a gnat; that's how much more prepared they are," says host Jeff Probst. "And they think they might have a movie career when it's over, so they are all playing to the camera." Somehow, this seems to take some of the magic out of it. And while I know part of the point of this is to be able to show lotsa hot chicks in bikinis, well, isn't that why we have "Temptation Island"? So, a modest proposal for "S3": Use real tribesmen...
...institution that is far greater than any of us, individually, could ever hope to be, it is because we come to love that institution--whether we think of it in terms of history, academics or the people we meet--that our individual efforts guide it and make it somehow better. Indeed, for four years, we are all caught up in something momentous, even if that something becomes a little mundane after we've been here for a while. For me, at least, at the end of it all, having had a few extra months to look back and reflect...
...well-worn self-justification, but Ned somehow makes it seem fresh and persuasive. What chance does he have, apprenticed as a boy by his desperate mother to a "bushranger," i.e., highway robber, an assistant in crimes before he is old enough to shave? After he serves time in prison and tries to lead an honest life raising horses, the "traps"--police constables--keep persecuting and trumping up charges against him. Finally, he learns, they plan to track down and kill him. Ned, his younger brother Dan and two confederates ambush the ambushers and strike first: "Events continued without relent Dear...
...worked out the potentially dangerous paradigm shift in our relationship by rationalizing that women rate men much more generously than men rate women. But I think both of us wonder if I have somehow, Linda Tripp-like, magically transformed into a smoking hottie. I'm planning to turn up the insecurity by rigging a victory at amigreatinbedornot.com
...story motors like a car driven by a chatty maniac who somehow stays on the road. The camera is just as agitated but with less reason; the pixilated imagery is always in danger of sabotaging the comedy. So, O.K., Ritchie mistakes flash for style. Perhaps that's the price you pay for storytelling exuberance. If he keeps making films as down and witty as Snatch, we may learn to forgive...