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...Street. There was fear in her voice as she explained she had already changed her meager supply of $100 bills into smaller U.S. notes. Now she was back trying to split her last remaining $50 bill "just in case, you never know." She feared that the new hundred might somehow make her fifty less valuable...

Author: /time Magazine | Title: IT'S A BRAND-NEW CENTURY | 2/12/1996 | See Source »

...same dichotomy can be seen in Rushdie. His political significance has less to do with his writing than it does with his continued existence, the living hero of a sometimes abstract cause. We read Rushdie, though, because in his work larger forces--the forces we imagine to be somehow always operating in this world-- are brought to bear on lives that are rendered exquisitely, fantastically, and with a keen sense for the sublime within the mundane...

Author: By David J.C. Shafer, | Title: Rushdie Stuns with Last Sigh | 2/1/1996 | See Source »

...public school that his father says is "not the kind of environment anyone would want for their kids." Rita's parents now baby-sit for Clarissa while her mother works, but the grandparents plan to move to Texas in a year or two, and the Maldonados will somehow have to scrape up the money for day care. Says Lio: "Rita would love to stay home with our daughter, but we have to combine both salaries to make ends meet...

Author: /time Magazine | Title: STATE OF THE UNION: ARE WE BETTER OFF? | 1/29/1996 | See Source »

...only one winner in the story of Citizen Kane, and that's the film...In its 55th year, the movie is still a marvel, a circus of camera wizardry enlivening the story of a failure: a powerful man who loses it all. The young Welles did more than anticipate, somehow, his disappointment and decline. Through Kane he revealed how we all, as we age, become smudged parodies of ourselves--more comfortable in our weaknesses, less sure of our strengths...with little more to treasure than one image from a frosty childhood...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

...typographic interpretation--she neglects to apply its sense consistently. Harvard's forthcoming variorum typographic text is also based on "one person's" (Ralph Franklin's) construal of the holographs and related material. Moreover, to describe my version of selected poems as a variant typographic interpretation implies that it is somehow a deviation from a standard or authoritative typographic interpretation of Dickinson's work. The point of producing my collection was to offer a more satisfactory printed rendering of selected poems than is found in the currently standard typographic versions produced by Thomas H. Johnson...

Author: NO WRITER ATTRIBUTED | Title: University Press Unfair to Opus | 1/24/1996 | See Source »

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