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Affirmative action has shady origins. Mysteriously, liberals somehow came to abandon to the color-blind ideal of the Civil Rights Movement and embrace the entrenched quotas, targets, and racial preferences of affirmative action...

Author: By Daniel Choi, | Title: The Shady Legacy of Affirmative Action | 3/10/1995 | See Source »

Grinspoon's account of the drug's effects are both scarier and, somehow, more prosaic: "Micropsia and macropsia (or megaplosia) have been frequently reported [as well as] the sensation that [people and objects] are rushing toward [the user] at tremendous speed, increasing in size as they approach." He doesn't mention that this peculiar sensation can happen stone-cold-sober when trying to get an autograph at Disney World. I was seven. I was so excited. I walked right up to the Mouse and thrust a pen in his face. Suddenly, I heard a disconcertingly masculine voice emanating from...

Author: By Daley C. Haggar, | Title: How the Grinch Stole Cannabis | 3/9/1995 | See Source »

...roommate likes dogs and when she returned, she allowed the new resident. We have one of those enormous Eliot suites, so there's room for Rover to play. I walk her at night and pray we don't run into my senior tutor. Things have been going well, but somehow Rover got herself pregnant. I have no idea what to do! Expecting in Eliot...

Author: NO WRITER ATTRIBUTED | Title: Norma Knows | 3/9/1995 | See Source »

...centuries listeners have been trying to reconcile the ineffability of Mozart's music with the childishness and bawdy coarseness of the man who composed it. The easiest and most common method has been to regard Mozart as somehow not a man at all-to view him as a sort of child god whose works welled up spontaneously. In his biography Mozart, published in English in 1982, Wolfgang Hildesheimer succeeded to a large degree in scraping away the legends surrounding the composer, but now Maynard Solomon, in his extraordinary new study, Mozart: A Life (HarperCollins; 640 pages; $35), has gone much...

Author: /time Magazine | Title: MYTH OF THE DIVINE CHILD | 3/6/1995 | See Source »

...endure in a lifetime. Indeed, the reviews were so bilious that this critic found himself wondering whether an artist he had admired for years might not have had a doppelganger-another R.B. Kitaj, pretentiously eclectic, too big for his boots and not much good with the brush, who had somehow snuck his God-awful daubs into the Tate ahead of the real one. But no; the show has now arrived at New York City's Metropolitan Museum of Art, and it is clearly by the real Kitaj...

Author: /time Magazine | Title: HISTORY'S BAD DREAMS | 3/6/1995 | See Source »

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