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Though some groups progressed faster than others—the Social Sciences division worked particularly quickly, according to members interviewed last spring—all of the groups had submitted their list of budget-saving recommendations by the end of the semester, more than two months after the original Halloween...

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: FAS Waits For Dean’s Initiative | 3/30/2010 | See Source »

But the FAS Web site, the locus of the bulk of Smith’s communications about the working groups’ activity, still includes outdated information. Some groups list incorrect members, and some list members who, in interviews with The Crimson, were entirely unaware of their membership. The site...

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: FAS Waits For Dean’s Initiative | 3/30/2010 | See Source »

Neal emphasized that the third phase will be a long-term process—a process for which, some professors said, Smith’s centralized oversight is now the key factor.

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: FAS Waits For Dean’s Initiative | 3/30/2010 | See Source »

“Disappointing” does not quite do justice to the atrocity that is the show’s music, composed by Joshua Schmidt. Despite going for the experience of a chamber musical—which feels more like a play with music than a traditional musical?...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Machine’ Fails to Add Up to Success | 3/30/2010 | See Source »

One of the show’s only engaging elements is its creatively macabre scenery, designed by Susan Zeeman Rogers. The main set piece, a luminous red backlit curtain with thick black vertical lines and a series of numbers scrawled graffiti-like across it, gives the feeling of being trapped...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Machine’ Fails to Add Up to Success | 3/30/2010 | See Source »

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