Word: somersaulted
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Dates: during 1970-1979
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...competition on the high bar, and the Soviets' Alexander Tkachev went first. He was trailing Kurt Thomas, the finest male gymnast in U.S. history, by just .025 points. Leaping up to the bar, Tkachev spun through a series of dazzling maneuvers. He launched himself into a twisting flyaway somersault, swooped down, then grabbed the bar a split second before crashing to the floor. Finally, Tkachev arched his body high above the bar, twisted through another flying double somersault with two half-twists and landed flawlessly, arms outstretched in triumph before the judges. Long minutes passed, then the score...
Thomas grasped the bar. He swung around once, twice, building speed and momentum for a spread-legged somersault over the bar, reaching in mid-air to grab the bar again before swinging into a perfect handstand. For a moment, he was frozen, balanced perfectly upside down. Then he flipped into action again, knifing his inverted body through a double "German" giant swing, arching his back into another handstand, twirling, spinning. Finally, tucking his knees into his chest, Thomas whipped into his dismount: a double somersault with a half-twist on each revolution. If he faltered on landing, took one steadying...
...barnyard fungus that shoots its ripe spoors to astonishing distances. It's also the name of what may be the most extraordinary innovation in theatrical choreography since the advent of modern dance. And now, it's the title of a book of photographs that jostle the sight like a somersault...
...favorite Surrealist technical device symolizing both inner and outer vision. "La Fronde" harks back to the theories of Sigmund Freud, one of the great heroes of the founder of the Surrealist movement. A person with a tiny head and huge, bloated body curls around in an endless, crazy, frightened somersault--a Freudian might see it as a picture of someone's terror when they are about to be born...
...program, a very few of which were left out. They came from shows like A Chorus Line, Godspell, Pippin, Finian's Rainbow, and Fiddler on the Roof. The music was good: Broadway showtunes that would have made Lawrence Welk. The dancing was good; a guy did a somersault and knocked over the only flat on the stage. The singing was good; the show's high point definitely came when the cast, clad as a group of marauding "hippies," ventured, dancing, into the audience, singing a song ("Let the Sunshine In") from Hair. All week long in Mather House, you couldn...