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Word: somersaulters (lookup in dictionary) (lookup stats)
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...barnyard fungus that shoots its ripe spoors to astonishing distances. It's also the name of what may be the most extraordinary innovation in theatrical choreography since the advent of modern dance. And now, it's the title of a book of photographs that jostle the sight like a somersault...

Author: By Jurretta J. Heckscher, | Title: Terpsichore, Tongue-in-Cheek | 1/11/1979 | See Source »

...favorite Surrealist technical device symolizing both inner and outer vision. "La Fronde" harks back to the theories of Sigmund Freud, one of the great heroes of the founder of the Surrealist movement. A person with a tiny head and huge, bloated body curls around in an endless, crazy, frightened somersault--a Freudian might see it as a picture of someone's terror when they are about to be born...

Author: By Diana R. Laing, | Title: A Surrealist's Metamorphosis | 6/5/1978 | See Source »

...program, a very few of which were left out. They came from shows like A Chorus Line, Godspell, Pippin, Finian's Rainbow, and Fiddler on the Roof. The music was good: Broadway showtunes that would have made Lawrence Welk. The dancing was good; a guy did a somersault and knocked over the only flat on the stage. The singing was good; the show's high point definitely came when the cast, clad as a group of marauding "hippies," ventured, dancing, into the audience, singing a song ("Let the Sunshine In") from Hair. All week long in Mather House, you couldn...

Author: By Richard S. Weisman, | Title: Broadway Lives | 5/12/1978 | See Source »

...which Fosse handles the elements of sex and slang in his production. With gaining speed, the dancers throw one another around the stage, while throwing Pippin into breasts and behinds. In one part of the dance, the dancers lower Pippin on and off a series of female dancers who somersault on the stage floor to lie flat beneath him. Right in synch with the dancing, the music accelerates, then climaxes, leaving Pippin alone on the stage with a very drained look on his face...

Author: By David A. Demilo, | Title: Worrying About Time | 2/16/1978 | See Source »

...success of theater requires an imaginitive leap, the suspension of belief, then the one-man show requires even more difficult acrobatics, an imaginative somersault. In the case of FDR's life, one regrets having to perform such tricks. One would much rather watch a Yalta scene in which the roles of Stalin and Churchill are played alongside Vaughn's Roosevelt than imagine their presence while staring at two empty chairs...

Author: By Steve Schorr, | Title: No New Deal | 11/3/1977 | See Source »

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