Word: somes
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Dates: during 1940-1949
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In some "Golden Rules for Conductors" the maestro admonished crustily: "Remember, you are not playing for your own fun, you are playing for the enjoyment of the audience . . . Never let the horns and woodwinds out of your eye; when you hear them at all, they are already too loud . . . The...
Strauss was by no means happy with the way conductors handled Beethoven and his favorite, Mozart. "Some so-called wizards of the baton," he wrote, "play Beethoven and Mozart finales as though they were riding a shying horse and had lost the reins." Strauss also felt that he himself had...
Baron Ochs, the clumsy gallant of Der Rosenkavalier, Strauss thought was consistently misunderstood and misplayed. Instead of "a vulgar monster with a horrible make-up and proletarian manners," as most bassos represented him, Strauss intended him as "a rustic beau, a Don Juan of some 35 years, but nevertheless a...
Seldom has a melodrama flashed so many tricks of the trade-pianos, radios, telephones, striking clocks, blinking lights, swinging doors, even false statements in the program. Yet The Closing Door is much more seriously written than the usual thriller and is full of clinical detail and therapeutic advice, some of...
Some years before, he had made a trip to Washington and stayed at the Mayflower. He liked many things about it, including the Presidential Dining Room where columnists, politicos and union chiefs served up the latest gossip as piping hot as the famed terrapin soup. Most of all he liked...