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Pieces in the exhibit offer perspectives on pain, escape, truth, or humor. One print, Sandra Ramos’ “The Damned Circumstances of Water Everywhere,” depicts a near-naked woman lounging in a shape identical to the island nation. The piece depicts the close connection...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: Beyond the Embargo: Cuban Art | 11/20/2009 | See Source »

Javan believes that the exhibition has been very successful, noting in particular how college students have reacted to the pieces: “Some [Boston University] students who came to the show said, ‘You know, that show really taught us something.’?...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: Beyond the Embargo: Cuban Art | 11/20/2009 | See Source »

Similarly, the critique that this is a peculiar gesture or in some way not in keeping with a tradition of diplomacy misses the mark; former President Nixon attempted a similar gesture when he met with an emperor of Japan in 1971, albeit with more success. Nixon certainly had other problems...

Author: By The Crimson Staff | Title: America the Genteel | 11/20/2009 | See Source »

“Bronson” charms first and foremost in its framing device: Peterson is cast as his own narrator before an audience that seems to applaud at his command. He dresses elegantly, gestures wildly, and wears minstrel make-up of various colors throughout the performance, conducting himself like...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bronson | 11/20/2009 | See Source »

White’s show, for example, which uses the original Tchaikovsky “Nutcracker” score, returns to some of the theatrical elements of early theater in a way that is unusually expressive. “[M]y dancers, instead of just being these images on the...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Getting a Leg Up | 11/20/2009 | See Source »

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