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...someone who has made his name in political films—in particular playing Tony Blair, a man to whom he bears a distinct physical resemblance—Sheen is a somewhat unlikely choice to play Clough, a working-class Geordie (from Middlesbrough in the North of England) who played as a center-forward before injuries led him to management. Rather than attempt to mimic the mannerisms of the real Brian Clough, Sheen instead engenders his own impressionist rendering of the manager’s persona. In some respects, however, Morgan and Sheen stick closely to the original?...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: 'The Damned United' | 10/16/2009 | See Source »

Once upon a time, Head of the Charles actually seems to have been somewhat fun: alcohol flowed freely along the banks of the Charles, and hordes of prep school grads descended on Cambridge to treat themselves to things quite unrelated to crew...

Author: By Peter F. Zhu | Title: Head of the Charles: Preview | 10/16/2009 | See Source »

...2002’s “Yoshimi Battles the Pink Robots”—will be able to point to the myriad recycle tropes that propped that record up. “Mystics” attempts to craft simpler, theoretically catchier—and typically somewhat monotonous—pop songs with the same sort of thematic import that made the elegant, orchestral, deeply emotive “Yoshimi” standout “Do You Realize??” such a runaway hit. Instead, it oversimplified the formula, leaving even the catchiest of those songs...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Flaming Lips | 10/16/2009 | See Source »

...ethereal vocals, the duo—fronted by multi-instrumentalist Joel McIntyre of Pirate/Rock—brings to mind British post-punk staple Joy Division and ’80s one-hit-wonder Modern English, with a hint of Sigur Rós mysticism. The project, while coming somewhat near a rousing post-generation-Y anarchist spirit, ultimately fails at both creating a niche for itself and inspiring the alternative attitude so intended by the 11-track record...

Author: By Qichen Zhang, CONTRIBUTING WRITER | Title: Little Girls | 10/16/2009 | See Source »

...visual aimlessness, but the song’s emotional footing is uncertain as well. The performance is happy without capturing a sense of empowerment. It’s just flat, and we know Amber Riley can sing, so we’re not sure what went wrong. The choreography somewhat comes together halfway through – FlyBy enjoyed Mercedes walking along on those chairs – but what in the world did they have Kurt doing...

Author: By Luis Urbina | Title: Recap: "Throwdown" | 10/16/2009 | See Source »

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