Word: somewhat
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...Norbert Leo Butz, against all odds, becomes the standout in the cast, turning from sickly victim into a song-and-dance ghost, who comments ironically on the couple's plight in a swinging, Cy Colemanesque number, "Oh! Ain't That Sweet," that almost stops the show. The irony is somewhat jarring, since nothing in the oh-so-serious first act prepares us for it. Still, it achieves the purpose of giving us an attitude toward the tragic denouement, apart from sheer depression, which is not a good thing to be humming on your way out of a Broadway musical...
...Norbert Leo Butz, against all odds, becomes the standout in the cast, turning from sickly victim into a song-and-dance ghost, who comments ironically on the couple's plight in a swinging, Cy Colemanesque number, "Oh! Ain't That Sweet," that almost stops the show. The irony is somewhat jarring, since nothing in the oh-so-serious first act prepares us for it. Still, it achieves the purpose of giving us an attitude toward the tragic denouement, apart from sheer depression, which is not a good thing to be humming on your way out of a Broadway musical...
...authorities that the mastermind is shopping for nuclear ingredients. Adds Leventhal: "My feeling is that the prudent assumption is that bin Laden is nuclear capable in some fashion." Other experts are less certain that any terrorist group could pull off a nuke. A 1999 Rand study on terrorism noted somewhat reassuringly that "building a nuclear device capable of producing mass destruction presents Herculean challenges for terrorists and indeed even for states with well-funded and sophisticated programs...
...Zahn, playing dumb but sweet-natured) at age 15. The rest of the movie is about her trying to realize her ambitions (college, writing books, ensuring her son's love) while dealing with her husband's fecklessness, her boy's fractiousness, her own foot-in-mouth feistiness. It is somewhat repetitive, but it is also wonderfully acted, especially by Barrymore. Like the movie itself, she's neither self-pitying nor self-aggrandizing--just real, wry as she deals with a hard-knock life...
...most part, the exhibition does an excellent job of presenting Ono’s early works, though their participatory spirit is somewhat obscured by the “Do not touch” signs that ring the more fragile pieces. Ono’s films are presented more faithfully—and, considering that most of her other works are readily “imagined” in the comfort of your dorm-room, they constitute the best reason for visiting the show. In the age of Bergman and Godard, Ono was once again at the forefront of cinematic experimentation...