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United Nations Day Concert (CBS, 11 a.m.-12:30 p.m.). In a taped recording of a U.N. Day ceremony held two days earlier, Charles Munch conducts the Boston Symphony in Honegger's Fifth Symphony; legendary Cellist Pablo Casals joins Mieczyslaw Horszowski in Bach's Sonata No. 2 in D Major for Cello and Piano...

Author: /time Magazine | Title: Time Listings: Time Listings, Oct. 27, 1958 | 10/27/1958 | See Source »

Menuhin, longtime Bartok specialist, opened the festival with the harsh and complex Sonata for Solo Violin. Menuhin let it be known that he will soon give the world premiere of a newly available early Bartok violin concerto,* which the composer dedicated to the late Hungarian-born violinist Stefi Geyer, with whom he was in love before his first marriage. Budapest audiences reserved their loudest cheers for the Juilliard group, which played Bartok's Third and Sixth quartets, plus works by Mozart, Haydn, Beethoven, the U.S.'s Walter Piston and Leon Kirchner. The audience yelled so loudly for encores...

Author: /time Magazine | Title: Music: Bartok & Juilliard | 10/13/1958 | See Source »

...program started off with the Sonata for Oboe and Piano of 1938, with Michael Senturia '58 as oboist and Norma Bertolami Sapp as pianist. The angular melody of the oboe in the first movement was sharply contrasted to its piano accompaniment. The second movement, much slower and containing a fairly long melody for Hindemith, was marked by extreme clarity, as were all the sonatas...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

...Sonata for Viola Solo, Opus 25, No.1, was the first of four pieces from the early 1920's, thus coming from the time before Hindemith was 30 years old. Hindemith, a concert violist himself, was familiar with the sonic abilities of that instrument. The piece was a study in dissonance, brought about by playing on two strings at once. The multiple-stopping was at times very difficult, but Eleftherios Eleftherakis played brilliantly for the most part. The piece and its performance were marked by a great richness of tone and lucidity...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

Mary Fraley Johnson played the Sonata for Violoncello Solo, Opus 25, No. 3, in her usual dramatic and vehement manner. This piece is some-what similar to its predecessor from the same opus, but was not nearly so dissonant. It did, however, accentuate the same tonal richness...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

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