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Also notable: an alternately brusque and limpid Sonata for Piano Four Hands by Harold Shapero, a crisp woodwind Quartet in C by Arthur Berger, both of Brandeis University; a series of gay brevities called Music for a Farce by Author-Composer Paul (The Sheltering Sky) Bowles. All were recorded under the com posers' personal supervision, a sometimes questionable practice that here results in some good performances...

Author: /time Magazine | Title: Music: New Records, Feb. 22, 1954 | 2/22/1954 | See Source »

Yesterday's program consisted of The Goldberg Variations by Bach and ten late sonatas by Scarlatti. These sonatas are one movement works, more nearly resembling the form of a Baroque dance movement than the first movement of a Classical sonata...

Author: By Alexander Gelley, | Title: Ralph Kirkpatrick | 2/15/1954 | See Source »

...Bavicchi by an aggressive rejection of the ideals of melodic and textural beauty evolved in the subsequent history of this style. Such a rejection is of course not uncommon in contemporary music but some glimmer of compensation is expected in such cases. I saw none in Mr. Bavicchi's Sonata for Two Pianos. Passages of elementary and conventional sentimentality were occasionally introduced only to be brutally transformed into sequences of unrelenting harshness. Abrupt shifts of mood and rhythm marked no inventive richness; rather, they seemed indicative on one composer's inability to develop any one thought. Any unique merit...

Author: By Alexander Gelley, | Title: Harvard Composers | 1/18/1954 | See Source »

Chopin for Reach. Now thoroughly recovered from his temporary paralysis, he has gone a long way toward outdoing Tatum. One of his particular fancies is to blend in phrases from a completely different piece-such as snatches of Beethoven's Moonlight Sonata in the middle of My Funny Valentine. "I like to venture out," he says. "Like with Funny Valentine, it came to me that there was a similarity between those chords and Beethoven's. I ventured out. It worked...

Author: /time Magazine | Title: Music: Swing, with Harmonics | 12/28/1953 | See Source »

...Instead of the usual keyboard music arranged for the harp, he played nothing that was not written specifically for his instrument. Instead of misty sound effects and undulating glissandos that have become a trademark of harp performances, he played clean-cut melody and counterpoint. High point: Hindemith's Sonata (1939), with its ear-twisting harmonies and Celtic echoes...

Author: /time Magazine | Title: Music: Strike-Bound Harpist | 12/14/1953 | See Source »

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